For 679 reviews, this critic has graded:
  • 66% higher than the average critic
  • 7% same as the average critic
  • 27% lower than the average critic
On average, this critic grades 3.8 points higher than other critics. (0-100 point scale)

Tom Gliatto's Scores

Average review score: 68
Highest review score: 100 The Big C: Season 1
Lowest review score: 25 Charlie's Angels: Season 1
Score distribution:
  1. Negative: 93 out of 679
679 tv reviews
    • 79 Metascore
    • 100 Tom Gliatto
    Season 3 of Showtime's great Nurse Jackie brings romance to student nurse Zoey. [25 Apr 2011, p.44]
    • People Weekly
    • 79 Metascore
    • 100 Tom Gliatto
    What's amazing is how quickly it all falls into place--the show goes like a shot. [25 Apr 2011, p.43]
    • People Weekly
    • 69 Metascore
    • 100 Tom Gliatto
    This is an epic portrait of a woman who's monumentally single-minded yet uncomprehending, and watching her rise and fall inspires a sick awe. [4 Apr 2011, p.50]
    • People Weekly
    • 77 Metascore
    • 100 Tom Gliatto
    The photography is sweepingly gorgeous--this must be the best of all possible planets. [18 Apr 2011, p.46]
    • People Weekly
    • 78 Metascore
    • 100 Tom Gliatto
    When The Close comes to a close, we'll lose one of the best TV detectives of the past decade. [11 Jul 2011, p.33]
    • People Weekly
    • 88 Metascore
    • 100 Tom Gliatto
    Can. Not. Wait. [9 Apr 2012, p.39]
    • People Weekly
    • 91 Metascore
    • 100 Tom Gliatto
    In season 2 of PBS's richly clever Sherlock, the Victorian tales have been refitted to our century. [14 May 2012, p.44]
    • People Weekly
    • 59 Metascore
    • 100 Tom Gliatto
    Gellar commands every scene. Hers is a true, potent star turn. [12 Sep 2011, p.43]
    • People Weekly
    • 91 Metascore
    • 100 Tom Gliatto
    [A] taut, ingenious spy series. [10 Oct 2011, p.44]
    • People Weekly
    • 86 Metascore
    • 100 Tom Gliatto
    Prohibition is a merry, bullet-sprayed study of the era's rampant criminality. [10 Oct 2011, p.40]
    • People Weekly
    • 75 Metascore
    • 100 Tom Gliatto
    Beautifully filmed, George Harrison: Living in the Material World is especially good on the singer-guitarist's post-Beatles life as he sought enlightenment in Eastern religions. [10 Oct 2011, p.40]
    • People Weekly
    • 88 Metascore
    • 100 Tom Gliatto
    The show still tends to go suddenly flat--it's hard to tell whether the party is supposed to be dead or it's just incompetently staged--but Hamm is always superb as Don. [2 Apr 2012, p.37]
    • People Weekly
    • 90 Metascore
    • 100 Tom Gliatto
    It's mesmerizing. [26 Mar 2012, p.44]
    • People Weekly
    • 83 Metascore
    • 100 Tom Gliatto
    The jokes take of on all sorts of unexpected trajectories--foul balls that score. [12 Mar 2012, p.45]
    • People Weekly
    • 89 Metascore
    • 100 Tom Gliatto
    The first three episodes are full of impressively strong criminals. [23 Jan 2012, p.40]
    • People Weekly
    • 79 Metascore
    • 100 Tom Gliatto
    NBC hasn't had a show this impressive since the first season of Heroes. [6 Feb 2012, p.39]
    • People Weekly
    • 65 Metascore
    • 100 Tom Gliatto
    The scares are not as over-the-top as American Horror Story but more chilling because they're applied glancingly. [13 Feb 2012, p.44]
    • People Weekly
    • 83 Metascore
    • 100 Tom Gliatto
    Falco's performance never loses a weary, trudging toughness and, at the core two hard kernels of anger and sorrow. [16 Apr 2012, p.50]
    • People Weekly
    • 87 Metascore
    • 100 Tom Gliatto
    It's a raw, ironic, occasionally touching comedy of post-millennial manners. [23 Apr 2012, p.37]
    • People Weekly
    • 96 Metascore
    • 100 Tom Gliatto
    The show hasn't lost its clever agility at building pressure-cooker suspense and then lobbing in a surprise. [8 Oct 2012, p.55]
    • People Weekly
    • 84 Metascore
    • 100 Tom Gliatto
    Nashville is the best new show of the fall. [29 Oct 2012, p.37]
    • People Weekly
    • 94 Metascore
    • 100 Tom Gliatto
    These are almost closer to short stories than sitcom episodes--and yes, they're fantastic. [23 Jul 2012, p.38]
    • People Weekly
    • 99 Metascore
    • 100 Tom Gliatto
    Bad has taken the complexity of modern television storytelling to new levels. [23 Jul 2012, p.37]
    • People Weekly
    • 86 Metascore
    • 100 Tom Gliatto
    They're delightful. [26 Nov 2012, p.48]
    • People Weekly
    • 81 Metascore
    • 100 Tom Gliatto
    The game changer sets season 7 on an exciting new course. [8 Oct 2012, p.60]
    • People Weekly
    • 76 Metascore
    • 100 Tom Gliatto
    Put his [Bobby Cannavale's] floridness up against Buscemi's poker-faced acidity and you get fireworks. [24 Sep 2012, p.57]
    • People Weekly
    • 90 Metascore
    • 100 Tom Gliatto
    There's event television, and there's Game of Thrones. [8 Apr 2013, p.41]
    • People Weekly
    • 83 Metascore
    • 100 Tom Gliatto
    If the Granthams are low on dough, emotionally they're richer than ever. [14 Jan 2013, p.51]
    • People Weekly
    • 83 Metascore
    • 100 Tom Gliatto
    The heartbreak here--especially the cases of poor children who died of "dust pneumonia"--is tremendous. [26 Nov 2012, p.45
    • People Weekly
    • 76 Metascore
    • 100 Tom Gliatto
    The two hours available for review are cinematically rich, full of sleek, oily pools of darkness. [11 Feb 2013]
    • People Weekly