For 682 reviews, this critic has graded:
  • 66% higher than the average critic
  • 7% same as the average critic
  • 27% lower than the average critic
On average, this critic grades 3.3 points higher than other critics. (0-100 point scale)

Tom Gliatto's Scores

Average review score: 68
Highest review score: 100 Dexter: Season 7
Lowest review score: 25 Allen Gregory: Season 1
Score distribution:
  1. Negative: 93 out of 682
682 tv reviews
    • 87 Metascore
    • 100 Tom Gliatto
    This haunting New Zealand miniseries boasts a strong, tense performance from Mad Men's Elisabeth Moss as a detective, but it's very much the work of director Jane Campion. [25 Mar 2013, p.44]
    • People Weekly
    • 91 Metascore
    • 100 Tom Gliatto
    There's event television, and there's Game of Thrones. [8 Apr 2013, p.41]
    • People Weekly
    • 70 Metascore
    • 100 Tom Gliatto
    NBC's best new drama since forever. [15 Apr 2013]
    • People Weekly
    • 72 Metascore
    • 100 Tom Gliatto
    Predictably awesome. [27 May 2013, p.42]
    • People Weekly
    • 83 Metascore
    • 100 Tom Gliatto
    Director Steven Soderbergh's Candelabra is one of the smartest, tartest examples I've ever seen of that soupy genre, the Hollywood biopic. [27 May 2013, p.39]
    • People Weekly
    • 85 Metascore
    • 100 Tom Gliatto
    [A] cool yet intensely emotional British crime series. [24 Jun 2013, p.40]
    • People Weekly
    • tbd Metascore
    • 100 Tom Gliatto
    Remains a winner.
    • 93 Metascore
    • 100 Tom Gliatto
    Larry David's sitcom remains an awe-inspiring (and hilarious) exercise in comedic extremes of chaos and control.
    • 75 Metascore
    • 100 Tom Gliatto
    [A] superbly tawdry new crime series. [8 Jul 2013, p.35]
    • People Weekly
    • 91 Metascore
    • 100 Tom Gliatto
    It's beautifully constructed, cleverly fitted with red herrings and capacious enough to house a community of suspects. The emotional payoff is sensational, and so is the acting. [12 Aug 2013]
    • People Weekly
    • 70 Metascore
    • 100 Tom Gliatto
    Queen delivers the basic goods (intrigue, sex) , but the only vivid character is Margaret Beaufort, mom of the future Henry VII. She's played by Amanda Hale with startling neuritic fervor. [12 Aug 2013]
    • People Weekly
    • 86 Metascore
    • 100 Tom Gliatto
    Sunny is Punch and Judy for our time: invigoratingly primal entertainment.[9 Sep 2013, p.41]
    • People Weekly
    • 91 Metascore
    • 100 Tom Gliatto
    Arguably you shouldn't miss any of The Hollow Crown. But the one you're commanded to watch is Richard II. [23 Sep 2013]
    • People Weekly
    • 86 Metascore
    • 100 Tom Gliatto
    This is adult entertainment in the very best possible sense. [7 Oct 2013, p.47]
    • People Weekly
    • 92 Metascore
    • 100 Tom Gliatto
    [A] mesmerizingly eerie French series set in a mountain community. [4 Nov 2013]
    • People Weekly
    • 70 Metascore
    • 100 Tom Gliatto
    Brooklyn Nine-Nine is fine as it is. Tell your DVR to book it. [9 Dec 2013, p.43]
    • People Weekly
    • 87 Metascore
    • 100 Tom Gliatto
    Very little happens in the first three hours of this anthology crime series, yet it's absolutely riveting. [20 Jan 2014]
    • People Weekly
    • 88 Metascore
    • 100 Tom Gliatto
    [It] promises to be a dizzyingly clever season 2. [3 Mar 2014, p.39]
    • People Weekly
    • 86 Metascore
    • 100 Tom Gliatto
    Tyson elevates this character into a prism through which passes the span of existence.... You will be sighing for days. [10 Mar 2014, p.48]
    • People Weekly
    • 83 Metascore
    • 100 Tom Gliatto
    It's educational, kid-oriented and fun, and Tyson us confidently smooth popularizer of science. [17 Mar 2014]
    • People Weekly
    • 88 Metascore
    • 100 Tom Gliatto
    The show is infernally good. [17 Mar 2014]
    • People Weekly
    • 94 Metascore
    • 100 Tom Gliatto
    The first three episodes of season 4 grab the wide-flung stories of this epic and assemble them into a crackling narrative. [7 Apr 2014, p.41]
    • People Weekly
    • 86 Metascore
    • 100 Tom Gliatto
    [A] fast, funny political satire. [14 Apr 2014, p.49]
    • People Weekly
    • 85 Metascore
    • 100 Tom Gliatto
    A larger, wholly engrossing story about crime syndicates and hit men. [21 Apr 2014, p.43]
    • People Weekly
    • 93 Metascore
    • 100 Tom Gliatto
    Louie remains a small miracle--a shaggy-dog story, hopping with fleas, maybe rescued froma pound, that outdazzles Lassie, Air Bud and the rest. [12 May 2014,]
    • People Weekly
    • 85 Metascore
    • 100 Tom Gliatto
    Ned and just about everyone else erupts in violent arguments, denunciations, accusations, counteraccusations, diatribes--these are searing, electrifying moments, furiously articulate and delivered with escalating passion. [2 Jun 2014, p.45]
    • 75 Metascore
    • 100 Tom Gliatto
    So far the show is biting, funny, touching and surprising. In short, it's an absolute delight, and possibly even better than the landmark first season.
    • 59 Metascore
    • 88 Tom Gliatto
    The series' grim tone and overall look of a grimy world in perpetual need of dusting or wiping is a long way from Buffy the Vampire Slayer and closer to Japanese movies like The Grudge. [12 Sep 2005, p.45]
    • People Weekly
    • 73 Metascore
    • 88 Tom Gliatto
    Entourage remains supremely good-natured. [19 Jun 2006, p.37]
    • People Weekly
    • 48 Metascore
    • 88 Tom Gliatto
    [It] looks like Sex and the City relocated to Northern Exposure. [18 Sep 2006, p.39]
    • People Weekly

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