For 662 reviews, this critic has graded:
  • 66% higher than the average critic
  • 7% same as the average critic
  • 27% lower than the average critic
On average, this critic grades 3 points higher than other critics. (0-100 point scale)

Tom Gliatto's Scores

  • TV
Average review score: 68
Highest review score: 100 Homeland: Season 2
Lowest review score: 25 Karaoke Battle USA: Season 1
Score distribution:
  1. Negative: 91 out of 662
662 tv reviews
    • 56 Metascore
    • 75 Tom Gliatto
    The show works on its own undemanding terms. [6 Jun 2011, p.45]
    • 84 Metascore
    • 75 Tom Gliatto
    Luckily the characters are so fully formed, and so fully inhabited by the cast, that the whole mess staggers up out of the trenches and keeps going. [9 Jan 2012, p.39]
    • 69 Metascore
    • 75 Tom Gliatto
    In season 2 this fluffy spy caper about gorgeous CIA operative Annie Walker is starting to deliver on the seductive fun promised by Piper Perabo's sly, flirtatious smile in the opening credits. [25 Jul 2011, p.40]
    • 73 Metascore
    • 75 Tom Gliatto
    Very few reality shows generate real suspense and sadness at the moment of elimination, but this one does. [20 Jun 2011, p.53]
    • 60 Metascore
    • 75 Tom Gliatto
    The fun comes in watching the uncynical Adams learn to undercut everyone else's cunning. [27 Jun 2011, p.46]
    • 66 Metascore
    • 75 Tom Gliatto
    VanCamp goes about her business with a purse-lipped Jodie Foster earnestness that makes her hard to root for. But Stowe coos, scowls, flirts and thunders. She roils Revenge. [26 sep 2011, p.56]
    • 69 Metascore
    • 75 Tom Gliatto
    The show is a bit of a junk heap--Fringe, Mission:Impossible and Death Becomes Her are in the pile--but it's a real adventure. [11 Jul 2011, p.34]
    • 85 Metascore
    • 75 Tom Gliatto
    This eighth season finds him spending time in New York City, and the trip rejuvenates him. [18 Jul 2011, p.35]
    • 61 Metascore
    • 75 Tom Gliatto
    The series is unmatched as a portrait of the entertainment industry. [8 Aug 2011, p.39]
    • 53 Metascore
    • 75 Tom Gliatto
    The arbitrary leap overseas moves the show that much closer to pure sitcom--an improvement. [22 Aug 2011, p.45]
    • 76 Metascore
    • 75 Tom Gliatto
    If it doesn't have the ABC sitcom's [Suburgatory's] satiric sheen, it captures some of those glum patches that strike in adolescence. [2 Jul 2012, p.38]
    • 67 Metascore
    • 75 Tom Gliatto
    The show is fueled with so much soap-operatic hot air that it takes off. [26 Sep 2011, p.54]
    • 66 Metascore
    • 75 Tom Gliatto
    [Bello's] sour, tough intelligence is right on the money. [3 Oct 2011, p.45]
    • 65 Metascore
    • 75 Tom Gliatto
    This could grow into a show of more than ordinary interest. [28 Nov 2011, p.57]
    • 64 Metascore
    • 75 Tom Gliatto
    Up All Night is adorable without being cute. [3 Oct 2011, p.41]
    • 81 Metascore
    • 75 Tom Gliatto
    Boardwalk is still solid, but it's sacrificed some of its nervy power. [10 Oct 2011, p.40]
    • 80 Metascore
    • 75 Tom Gliatto
    The humor is so lighthearted, the show practically skips. [20 Feb 2012, p.48]
    • 69 Metascore
    • 75 Tom Gliatto
    The show is a quietly intriguing, informative study of assimilation, identity and community. [21 Nov 2011, p.40]
    • 58 Metascore
    • 75 Tom Gliatto
    This Victorian-era prequel to Peter Pan works. [12 Dec 2011, p.48]
    • 75 Metascore
    • 75 Tom Gliatto
    There's always a laugh or two. [30 Jan 2012, p.44]
    • 63 Metascore
    • 75 Tom Gliatto
    The one great redemptive asset--and it's significant--is Kiefer Sutherland. [26 Mar 2012, p.41]
    • 59 Metascore
    • 75 Tom Gliatto
    It's fun sport. [30 Jan 2012, p.44]
    • 52 Metascore
    • 75 Tom Gliatto
    A solid, well-done series. [19 Jan 2012, p.42]