For 1,685 reviews, this critic has graded:
  • 56% higher than the average critic
  • 2% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 5.3 points higher than other critics. (0-100 point scale)

Ty Burr's Scores

  • Movies
Average review score: 65
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
1,685 movie reviews
    • Metascore: 81
    • Ty Burr 88
    A visually overwhelming labor of love, a hand-drawn medieval adventure tale that seeks and finds cosmic connections.
    • Metascore: 71
    • Ty Burr 88
    Whenever a band plays in “Persian Cats,’’ the director treats us to a fast, vibrant montage of Iranian faces and street scenes -- as if to say, look, this is who we REALLY are.
    • Metascore: 78
    • Ty Burr 88
    Please Give is a moral comedy that feels at times like one of the late Eric Rohmer’s deceptively breezy miniatures, or a mid-period Woody Allen movie minus the fussiness.
    • Metascore: 72
    • Ty Burr 88
    The hidden message of The Oath is so inescapable as to be Shakespearean: Character will out.
    • Metascore: 79
    • Ty Burr 88
    One of the smarter, more unexpectedly touching documentaries of the year, and I recommend it to you whether you love Rivers or loathe the very thought of her.
    • Metascore: 79
    • Ty Burr 88
    If you're not in the mood, the whole thing will probably seem pretty silly. But if you are -- oh, if you are -- I Am Love may be the richest, tastiest truffle you're likely to savor all summer.
    • Metascore: 60
    • Ty Burr 88
    The movie's an unexpected end-of-summer tonic: a trash guilty pleasure with a healthy (if really violent) sense of outrage. It's also Rodriguez's freest movie yet, and possibly his best.
    • Metascore: 86
    • Ty Burr 88
    As taut and suspenseful as any fictional mystery.
    • Metascore: 85
    • Ty Burr 88
    Lebanon gives us viscerally violent, intensely distressing glimpses into war's annihilation of people, places, and communities.
    • Metascore: 86
    • Ty Burr 88
    A miniature masterpiece of documentary observation.
    • Metascore: 94
    • Ty Burr 88
    Carlos moves like a greyhound out of the gate, fleet and assured and focused on the business at hand. It's a subtle, ultimately staggering portrayal of a bloody-minded ideologue who convinced only himself.
    • Metascore: 79
    • Ty Burr 88
    The Fighter is this close to a triumph: a movie that steeps us in the grit of its time and place - Lowell, Mass., in the 1990s - and electrifyingly dramatizes Ward's battles with the family that almost loved him to death.
    • Metascore: 82
    • Ty Burr 88
    The scene appalls but doesn't offend; it's a "Worst-Case-Scenario Survival Handbook'' nightmare that resonates on the metaphysical level.
    • Metascore: 76
    • Ty Burr 88
    Rabbit Hole is a personal project for Kidman - she produced the film after falling in love with the play - and it seems to have revived the quickness in her. That ice-blue gaze has found its focus again, and it looks deep into the one thing none of us want to face.
    • Metascore: 99
    • Ty Burr 88
    Why revisit Shoah 25 years after it was first released? Because it matters more a quarter century on, just as it will matter even more in a hundred years, and 200, and - if it and we survive - a thousand.
    • Metascore: 86
    • Ty Burr 88
    Like the best spiritual movies, of whatever faith, "Of Gods and Men" moves us toward a union with the infinite, and when we come to the monks' last supper, the moment is staggeringly powerful.
    • Metascore: 76
    • Ty Burr 88
    This may not be the greatest movie version of the novel, but it's possibly the truest.
    • Metascore: 75
    • Ty Burr 88
    Confident enough to simply go with the exotica of average middle-class Americans who are well-intentioned, flawed, and dog-paddling like crazy to keep their heads above water. There's nothing at all unusual about them, and that's unusual.
    • Metascore: 64
    • Ty Burr 88
    This is a slacker detective story, emphasis on the slack, and if you can downshift into its loping rhythms, it's pretty wonderful.
    • Metascore: 87
    • Ty Burr 88
    Epic in scope, ambition, and execution, it's a classic swords-and-samurai film with postmodern blood and guts, and it's completely satisfying.
    • Metascore: 85
    • Ty Burr 88
    There's nothing out there remotely like Meek's Cutoff, for which some viewers may be thankful. The ending seems calculated to drive the literal-minded screaming out of the theater and yet it's the only possible way out.
    • Metascore: 82
    • Ty Burr 88
    A mystery, a melodrama, a prison film, and a love story, Incendies is foremost a scream of rage at a society destroyed by religion and by men.
    • Metascore: 77
    • Ty Burr 88
    Think of it as "Glee" without music. Without a net, too.
    • Metascore: 82
    • Ty Burr 88
    What on earth is The Trip, besides hugely enjoyable?
    • Metascore: 87
    • Ty Burr 88
    A fitting, expertly made final chapter, freighted with hard-won emotions, shot through with a sense of farewell, and fully aware of the epic stakes involved.
    • Metascore: 83
    • Ty Burr 88
    An engrossing and enraging drama of one chimpanzee and his life's journey across a landscape of human folly.
    • Metascore: 78
    • Ty Burr 88
    The movie is more pure, profane enjoyment than a body should have in the dog days of August.
    • Metascore: 69
    • Ty Burr 88
    At its best, The Sleeping Beauty reclaims fairy tales as a kind of oral folk REM state, chewing over anxieties about adulthood, behavior, sex, and belonging in potent symbolic form.
    • Metascore: 87
    • Ty Burr 88
    Moneyball is a hilarious and provocative change-up, entertaining without feeling the need to swing for the fences.
    • Metascore: 85
    • Ty Burr 88
    Take Shelter plays Curtis's unraveling at daring length. The film will be too slow and dark for some, and it's definitely overlong.