- Studio: New Line Cinema
- Release Date: Aug 12, 2005
User Score
7.5
out of 10
Generally favorable reviews- based on 21 Ratings
User score distribution:
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Positive: 19 out of 21
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Mixed: 0 out of 21
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Negative: 2 out of 21
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JMNov 3, 200510Great movie who make you think how it all started.
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gregj.Oct 27, 200510I really enjoyed this movie, it reminded me a bit of crash but it was good. i had to think nonstop during this movie and that was good. overall its a good movie and i recomend it to all.
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alexm.Sep 8, 20059Great film and you have to think about it. not only watching it, but having a look at the single situtations.
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TommyMOct 13, 20059Very good film and shows how quickly things can go wrong.
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tomOct 20, 20059A new writer/director's Premier films don't get any better than this.
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garyG.Oct 8, 20058Great mOvie that actually makes you think.
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WilliamOct 11, 20066The movie was interesting and a good change of pace..[***SPOILERS***] the injury the boy sustained in the van was painful to think about, but hopefully a lesson to the stupid punks that do things like that. Interesting how each tried to escape responsibility. All and all a decent movie
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CablesMay 17, 20063Are you people serious? What about this movie made you think? It was an utterly predictable Memento rip-off. Even the "plot twists" were painfully boring. Swayze rocked in Donnie Darko though, so we'll give him a free pass.
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[Anonymous]May 6, 20076It was a good enough movie, with entertaining black humor and writing well-done throughout. But ithat is not to say it was a great movie, it was still good however. But please, people who are saying this reminded them of Crash, Crash came out AFTER 11:14, and I had actually been wondering if Crash had taken some ideas from 11:14 after I watched it [Crash].
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RobNov 13, 20058A very clever film that blends the styles of Irreversible, Crash and Memento to tell a story that is anything but simple.
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75An inventive, black comedy.
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80Has a demented sense of humor, and the cleverness of its taut narrative structure and misanthropic characterizations constantly surprises a viewer. The movie does what you wish more first-time features would do: tell a story economically with first-rate actors and no hint of self-consciousness.
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50The best possible feeling that 11:14 could leave behind is that Marcks has pulled off something clever, but just bringing the puzzle pieces together isn't that impressive a feat. As "Memento" proves, it's the big picture that really counts.