- Studio: Sony Pictures Classics
- Release Date: Mar 4, 2009
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Miklahkov keeps 12 tops spinning at all times in the school gymnasium that serves as their deliberation room, and though the speech/conversion pattern grows a little pat, the movement toward consensus raises the further, richly complicated question of how to decide not only what is right, but what is best.
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8912 is every bit as much of a moral powerhouse as its predecessors but with the added bonus of being simultaneously intellectually riveting and, at times, almost indescribably poetic.
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88Mikhalkov has made a new film with its own original characters and stories, and after all, it's not how the film ends, but how it gets there.
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88The time passes quickly. This is the rare remake that does honor to the spirit of the original.
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85The title is shorter, but that's the only thing remotely diminished about 12, Nikita Mikhalkov's exuberantly Russian reworking of Reginald Rose's 1950s jury-room play, "12 Angry Men."
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There is an unnerving and hopefully implausible twist at the end, but for the most part, Mikhalkov's 12 is magnetic.
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80With its thunderous drama and larger-than-life characters, which lend it a brawling energy, 12 is never dull.
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80Expansively, dramatically, magnificently Russian, Nikita Mikhalkov's loose remake of "12 Angry Men" plays like vintage jazz from a veteran band.
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Mikhalkov's 12 breathes and floats.
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80The tradition of Russian stage acting enriches this satisfying update of Reginald Rose's TV play "Twelve Angry Men."
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67Mikhalkov plays the jury foreman, allowing himself a bit of business that eventually erases itself, amounting, effectively, to nothing. Alas, too much of this splashy film is just like that.
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67Rarely has the voyeuristic appeal of sitting on a jury been so cleverly expressed.
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58I haven't heard this much shouting in a movie since the first hour of "Full Metal Jacket."
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50No matter how bad things get, you can always be thankful for this: You're not on trial for murder in Russia.
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50The new film's not only almost double the length of the original, it's four times as ambitious - a sprawling, surrealist, ultimately disturbing portrait of a society lurching uncertainly toward democracy. What's really on trial in this movie? Just the Russian soul.
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50Yes, Mikhalkov has set himself quite the agenda, but in the end the film is too much of a piece with its topic, intensely fascinating yet seriously flawed. The verdict? Guilty, with extenuating circumstances.
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50Has none of the crisp passion or suspense of the 1957 Sidney Lumet version; it's bloated, heavy-handed, and lugubrious.
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Positive: 3 out of 5
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Negative: 2 out of 5
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CaroleG.9
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DanL8
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BenjaminM2Tries to do everything & ends up doing nothing.