- Studio: Kino International
- Release Date: Jul 14, 2006
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Showing that there is both rhyme and madness to seemingly unfragmented everyday life, screenwriter-director Michael Haneke has created a pointillistic portrait of terror, presenting a number of tiny, mundane incidents that eventually enable us to connect the dots.
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70The film's Endsville, when we reach it, is almost an anticlimax, thanks to the masterfully orchestrated ensemble acting and the countless dramatic mini-explosions unleashed along the way.
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70An icy-cool study of violence both mediated and horribly real.
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70Intellectually demanding and non-commercial film should be embraced in the festival and arthouse circuits by film students and viewers interested in postmodern, deconstructionist cinema.
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60Americans desensitized to senseless violence may find the subject matter almost banal, and the interspersed news footage of armed conflict from around the world feels like a rhetorical device. But the coldly telegraphic structure--a series of 71 blackouts following the four strangers to their deaths--yields some striking moments.
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