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74

Generally favorable reviews - based on 16 Critics What's this?

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7.0

Generally favorable reviews- based on 6 Ratings

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  • Summary: Set in 1945 during the Red Army invasion of Berlin. Women are victims of rape and devastation; one of them is Anonyma , who had been a journalist and photographer. In her desperation, she decides to look for an officer who can protect her. She meets a Russian officer Andrej - an encounterSet in 1945 during the Red Army invasion of Berlin. Women are victims of rape and devastation; one of them is Anonyma , who had been a journalist and photographer. In her desperation, she decides to look for an officer who can protect her. She meets a Russian officer Andrej - an encounter which develops into a complex symbiotic relationship that forces them to remain enemies until the bitter end. (Strand Releasing) Expand
Score distribution:
  1. Positive: 12 out of 16
  2. Negative: 0 out of 16
  1. 100
    That the film manages to be understated, calm and intelligent in spite of its wrenching subject matter is perhaps its most impressive accomplishment. In avoiding sensationalism, it feels very close to the truth.
  2. 90
    A distinctive achievement, a World War II movie unlike any other and one of the few films ever to address a topic that makes almost everyone want to look away: What happens to women in wartime.
  3. 78
    A Woman in Berlin is like a tour through the blast-cratered psyche of two colliding cultures, each with its own nightmarish tales to tell or acts of violence to experience.
  4. 75
    Joins such wonderful recent films as "The Lives of Others" and "The Baader Meinhof Complex" as a clear-eyed portrait of a highly charged chapter in Germany's history, a history that once again proves rewarding fodder for an alert artistic imagination.
  5. Anonyma stands out in A Woman in Berlin not only because of her ragged nobility but also because, alas, Färberböck has surrounded her with a gaggle of Berliners who seem right out of Central Casting.
  6. Director Max Farberbock (Aimee & Jaguar) mainly avoids graphic depictions of sexual assault, but that only increases the tension in this austere, claustrophobic drama.
  7. Unfortunately, Färberböck never gives us reason enough to sit through such unremitting punishment. Though the story is based in truth, an emotionally removed Hoss feels more like a symbol than an actual person, while her detached narration keeps us at further remove.

See all 16 Critic Reviews

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  2. Mixed: 0 out of
  3. Negative: 0 out of

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