Metascore
90

Universal acclaim - based on 8 Critics

Critic score distribution:
  1. Positive: 7 out of 8
  2. Negative: 0 out of 8
  1. 100
    After Hours is a brilliant film that is so original, so particular, that we are uncertain from moment to moment exactly how to respond to it. The style of the film creates, in us, the same feeling that the events in the film create in the hero. Interesting.
  2. 91
    After Hours is a caffeinated black comedy with an emphasis on speed. With a small crew and a tight shooting schedule, Scorsese transformed limited means into a staccato burst of creative energy, playing up the extreme paranoia and frustration of a data processor stranded in Soho.
  3. After Hours is not, ultimately, a satisfying film, but it's often vigorously unsettling.
  4. 100
    Martin Scorsese transforms a debilitating convention of 80s comedy--absurd underreaction to increasingly bizarre and threatening situations--into a rich, wincingly funny metaphysical farce. A lonely computer programmer is lured from the workday security of midtown Manhattan to an expressionistic late-night SoHo by the vague promise of casual sex with a mysterious blond.
  5. This unpredictable and hilarious paranoid fantasy is a contemporary, urban "Wizard of Oz," peopled by punk artists and Yuppie vigilantes instead of wicked witches and Munchkins. [5 Sep 1985, p.1]
  6. Reviewed by: Staff (Not Credited)
    100
    A wickedly funny black comedy that follows the increasingly bizarre series of events that befall hapless word-processer Griffin Dunne after he ventures out of his apartment on the Upper East Side of Manhattan and goes downtown in search of carnal pleasures.
  7. Reviewed by: Ian Nathan
    100
    Martin Scorsese’s take on NYC puts a hip spin on Joe Minion’s cleverly constructed nightmare.
  8. Reviewed by: Staff (Not Credited)
    80
    The cinema of paranoia and persecution reaches an apogee in After Hours, a nightmarish black comedy from Martin Scorsese. Anxiety-ridden picture would have been pretty funny if it didn't play like a confirmation of everyone's worst fears about contemporary urban life.
User Score
8.5

Universal acclaim- based on 46 Ratings

User score distribution:
  1. Positive: 6 out of 6
  2. Mixed: 0 out of 6
  3. Negative: 0 out of 6
  1. MichaelD.
    Apr 8, 2008
    10
    Brilliant black comedy that condenses one man's nightmarish evening into a series of bizarre encounters with the after hours crowd of Soho. While it might play on people's fears of urban life, much like the Out of Towners did in the 70's, it is more a commentary on the contrast between the button down, workaday life led by many New Yorkers and the late night, artsy subculture. Full Review »
  2. Nov 22, 2013
    10
    This movie is both pure entertainment and an enigma that warrants being seen over and over again to start comprehending it's many layers. It's completely unique, thematically and in terms of it's feel in general, with haunting music that nests itself into your mind (can hear it now if I try) and excellent camera work which always compliments the action and mood. My favorite Scorsese movie by far and one of my favorite films in general. The fact that it never gets dull is testament to it greatness. I also like the fact that it's all set in one evening, which really pulls you into the situation with the character and forces you to share his sense of helplessness. If you have seen this you need to, Full Review »
  3. Jul 14, 2012
    10
    Masterpiece of Scorcese: an inteligent comedy filmed through New York. Refinated humor is carachterized when sinalizations indicates "dead people" at apartment of Fiorentino´s...Unforntunatelly, haven´t been the appropriated recognized by the spectators. On of the best comedy´s of all time... Full Review »