- Studio: New Line Cinema
- Release Date: Nov 12, 2004
- Critic Score
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80An unalloyed delight, bright and breezy escapist fare that's pure entertainment, filled with romance, adventure, humor, action, suspense, beautiful scenery and beautiful people.
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75After the Sunset is a mess, but it's a breezy, fun mess.
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67A fun-in-the-sun heist caper that director Brett Ratner stages as if he were the activities director of a cruise ship.
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63Harrelson certainly proves an entertaining foil to Brosnan's more refined thief.
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63Salma Hayek merrily struts off with most of Brett Ratner's wispy caper comedy.
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63A marginally above average crime caper with one big plot twist that's pretty tough to believe but mildly interesting to consider.
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60A lot of fun.
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50The heist itself is almost dull, and the characters aren't half as colorful or interesting as they need to be.
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50Skillfully made, but it's not necessary...On the other hand, should you see it, the time will pass pleasantly.
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50Sizzles for a half-hour, then fizzles.
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50This indirect rehash of "To Catch a Thief" trades Hitchcockian shrewdness for the slickest kinds of Hollywood glitz, gloss, and vulgarity.
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50Not unpleasant, but you've seen it all before.
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50The movie grows progressively more routine in quarter-hour increments, eventually collapsing under the weight of its own insignificance.
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50Though there are a few annoying moments when the actors get in the way of the scenery, mostly it succeeds.
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50When it comes time for the actual robbery, so little has been explained that the plan seems ridiculously easy in some respects and totally improbable in others.
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50While After the Sunset is never exactly dull and is smartly cut to a brief running time, it never quickens the pulse.
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50It's silly adolescent stuff, but director Brett Ratner and screenwriters Paul Zbyszewski and Craig Rosenberg serve it up gracefully.
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42The movie is a misfire.
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40A caper comedy without chemistry is just a bunch of waiting around for something to get stolen.
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40Instantly forgettable caper comedy.
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40A jewel-heist frolic so stale it feels like a retread of a retread.
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38You'd have to go back to Blake Edwards' "10" and Bo Derek to find a mainstream movie that spends more time gawking at a star's body - or a more cooperative and alluring subject.
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38The kind of glossy, Hollywood-forged waste of time that would depress even the most happily lackadaisical retiree.
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38For a movie that's sexist, racist, and possibly the most deeply closeted gay love story to be released this year, After the Sunset is reasonably entertaining.
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33Simultaneously boring and cringe-inducing; you can't decide whether to flee the theater or lightly nap.
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30The witless inanity of After the Sunset is so numbing that the sole reason for any living creature to sit through it--man, woman or household pet--is to marvel at the speed and variety of actress Salma Hayek's costume changes.
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A purported heist flick that sucks all the style out of stealing.
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25A movie utterly devoid of wit , excitement and any reason for being.
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25It's strung together, with cliches instead of puka shells.
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20The man behind the "Rush Hour" franchise proves that dropping sly nods in Alfred Hitchcock's direction does not necessarily a fine caper make.
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Despite its misguided comic pretensions, this brazenly unimaginative caper movie is most effective as a feature-length infomercial for its location, which will here remain undisclosed.
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20The true crime is the eight bucks the filmmakers want to steal from you. Best advice: Don't let them get away with it.
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