- Studio: Indican Pictures
- Release Date: Sep 30, 2005
- Critic Score
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An interesting film, and while it is not entirely successful (and at times most puzzling), it achieves a certain poignancy.
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70Okuda creates that slightly surreal atmosphere of ghost-town emptiness that will be familiar to fans of Takeshi Miike, but he infuses it with a romantic's sense of deep yearning.
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Although the movie drags, Okuda (who also directed) makes for a gloriously bad lieutenant, while Ozawa is enjoyably discomfiting in her unblushing carnality.
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60Decidedly uneven yet intriguing.
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50Okuda's debut behind the camera, Shoujyo, is a dirty old man's delight: schoolgirls galore in short skirts or, in Yoko's case, nothing at all. That may be enough for some viewers, but not for those who insist on a story that gives substance to its characters.
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50Suicide, child molestation, corruption, insanity and the faintest implication of incest are wound around the film's suggestion that the cure for modern-day alienation and anomie lies in embracing traditional Japanese culture, like ritual tattooing.
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50The problem is that both as a director and as an actor, Okuda never makes a particularly convincing case either for sex or for deeper commitment as a road away from the abyss.
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50The film, at least 20 minutes too long, has too many competing story lines to succeed as more than an oddball mood piece.
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