- Studio: Warner Bros. Pictures
- Release Date: Dec 6, 2002
- Critic Score
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80It's clever, vulgar and fully committed to making us howl with laughter. If only all sequels were this much fun.
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63Turns out to be a Hollywood sequel of surpassing silliness and wasted talent.
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63With any sitcom, the freshness is ultimately in the writing, and I think the jokes are better here than in Analyze This, and the actors are more comfortable together. I don't know if De Niro is softening or has lost his edge, but he now seems content mocking himself.
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63A genial and unremarkable comedy with its share of tepid laughs. It's a significantly weaker offering than its edgier, livelier older brother.
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60Even when they don't always add up, these are movies in which De Niro can shrug off the burden of being Robert De Niro. Where the star who was Travis Bickle can again freely assume the part of the great character actor -- if only this time to ask, "You laughin' at me?"
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58Feels forced every step of the way. Ultimately it's the kind of under-inspired, overblown enterprise that gives Hollywood sequels a bad name.
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50The sequel, also directed by Harold Ramis, is painfully padded.
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50What we get in Analyze That are several talented actors delivering their familiar screen personas in the service of an idiotic plot.
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50It's safe to say that without De Niro Analyze This and That couldn't even exist; or rather, if they did, they would be unwatchable. De Niro is that important to the mix.
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50This is a movie that both parodies "The Sopranos" and aspires to its mordant humor. I don't think anyone -- not Tony Soprano, not Paul Vitti -- can have it both ways.
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50Though the picture falls apart whenever the two leads aren't on screen together, you can argue that That isn't that inferior to its predecessor.
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50As for De Niro, he seems to have licence to do what he wants here, without much help from the writers.
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50Analyze That is no surprise, and pleasant is about the most you can say for it.
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50It used to be that the main allure of features was that they could deliver what cable couldn't, but now it's the other way around and one of the biggest problems with Analyze That is that it doesn't show us anything new or really funny, certainly nothing that we can't get on HBO.
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50A sequel that never rises to the giddy pitches of skewed humor that the original managed to toss off with such unexpected glee.
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50The most surprising thing about the movie is the clumsiness of Harold Ramis' direction. Ramis has never equaled the work he did on "Groundhog Day."
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50Everyone seems more relaxed this time around, including director Harold Ramis, who was presumably less intimidated now that he knows De Niro can be really funny and draw a large audience to a comedy.
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50This tepid sequel to Harold Ramis's mobster-on-the-couch comedy "Analyze This" (1999) is partially redeemed by Robert De Niro's handful of scenes with Cathy Moriarty-Gentile, who made her screen debut as the teenage wife in "Raging Bull."
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42It's not just that Tony Soprano is richer, darker, cooler, and scarier. The dude gets more laughs.
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40Even Cathy Moriarty-Gentile's role as a rival mob boss (with a nod to "Raging Bull") can't save this DOA affair.
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40Compounds the problems of its predecessor, "Analyze This," while duplicating almost none of its humor.
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40Mr. Crystal underplays his role wisely and well, while Mr. De Niro parodies -- maybe the better word is pillages -- himself and his career with scary gusto.
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38The outtakes prove Analyze That could have been even worse.
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30All the principals -- except, significantly, screenwriter Kenneth Lonergan -- reprised their roles for the sequel, and all seem confused as to why they returned.
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30Although there is the germ of a very sharp comedy in the intersection of real mobsters and make-believe thugs in a Hollywood mob comedy, Analyze That is far too lazy to do much with it.
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30The novelty value is completely gone the second time around.
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30Stuck in that no man's land between comedy and banal movie mob action, and it delivers on neither of these impulses with any force.
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25Let's look at the bright side. If this movie bombs as it deserves to, we won't have to sit through "Analyze Those" a few years from now!
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25Shapeless, sloppy, badly paced mess.
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25It's a big disappointment.
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25That this witless, formulaic sequel to the hit comedy Analyze This even dares to spoof ''The Sopranos'' is embarrassing. It's like Freddie Prinze Jr. slamming Gene Hackman as a bad actor.
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20The annoying Reg Rogers, on the other hand, who plays Little Caesar creator Raoul Berman, delivers his lines like a stoned Pee-wee Herman, and the scene in which Billy Crystal mutters and drools in a restaurant is just disturbing for anyone who admired his work in the past.
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10Director Harold Ramis and his cast fetch overchewed shticks, but what's surprising is the incompetent witlessness on exhibit. There's no limit to the botched comedy rhythms and wasted opportunities.
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10So dull and awful, you actually wonder if this is some kind of Andy Kaufmanesque in-joke, a deliberate attempt to douse the spark that made the original film so enjoyable.
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User score distribution:
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Positive: 5 out of 13
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Mixed: 2 out of 13
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Negative: 6 out of 13
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