- Studio: Sony Pictures Classics
- Release Date: Aug 13, 2010
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100It's a remarkable film: A gritty, gut-churning, crime thriller based on a true story. Its greatness lies in its unwavering fidelity to human nature and the unstoppable laws of the wild.
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100It's a distinctive, ominous and hypnotic work of cinema.
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100Faultlessly acted by top Australian talent, including Guy Pearce, Ben Mendelsohn and Jacki Weaver, Animal Kingdom marries heightened emotionality with cool contemporary style.
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100A phenomenal debut feature with a terrific title, David Michôd's Animal Kingdom is both a study in Darwinian survival-in this case survival of the shrewdest-and a group portrait of ruthless predators in the underworld of Melbourne, Australia.
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91Don't be fooled: In this unpeaceable kingdom, the den mama is also ready to eat her young.
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90First-time writer/director David Michod reportedly worked for eight years on his screenplay, deepening its tale of a violently dysfunctional family until its gangster conventions feel as if they're in the service of a modern-day Greek tragedy.
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90The naturalistic style Michod employs adds to the sense of dread.
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90This could have been a slick little thriller. Instead, it evolves into the unfolding of an epic tragedy.
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90The film's depiction of the raw fear lurking below the brothers' braggadocio is the most pronounced emotion in a movie whose focus on the personalities of its criminals suggests an Australian answer to "Goodfellas," minus the wise-guy humor.
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90A contemplative crime drama with a high startlement quotient.
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90A densely textured moral universe that makes good on his metaphoric title-and in this case, the animals are perfectly willing to eat their young.
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88Animal Kingdom moves with a brisk efficiency - Michôd trusts the viewer and doesn't waste time with unnecessary back story - and the plot twists and turns at brutal speed.
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88Like "The Square," the startling Down Under noir released a few months ago, Animal Kingdom explores the down and dirty side of human nature, fraught with greed, suspicion, and betrayal.
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All of the performances are skilled, and yet it's Weaver (a veteran screen, television and stage actress in Australia) who, in a smaller role, creates the character who stays with you.
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88Among the most gripping, well-paced, acted and directed, and generally thrilling of anything that I've seen (yet) this year.
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83The choicest performance in Animal Kingdom is Weaver's sing-song sinister matriarch of the Cody clan, a cheery sort with the benign nickname "Mama Smurf."
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83Animal Kingdom joins in the tradition of brutally unsentimental Australian crime dramas like "The Boys," in which the stakes are low, except to the people staring down the barrel of a gun.
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80A dark rites-of-passage story meets lethal Shakespearean drama, with low-key performances that artfully get under the skin.
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80A naturalistic drama rich in psychology and attention to details. There's no glamour here, but one false move by anyone can result in death, so tension fills nearly every scene.
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80Most crime stories are content to simply exist, wallowing in their own base violence. But David Michôd's fierce debut takes the genre apart, finding a reason for the madness that propels it.
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80The strength of Animal Kingdom is its slow-building fatalism; the criminals' luck runs out, but then finds depressing extension via an out-of-left-field collaborator. It's a movie that has very little faith in authority, not even in Guy Pearce's righteous detective. The only law here is Darwin's.
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78In many ways, Animal Kingdom could have become a stylish but routine cops-and-robbers tale. Instead, Michôd shapes this film into a memorable character study about uncaged beasts.
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75Because Animal Kingdom is so richly suffused with atmosphere and style, you could almost float right past the deficiencies in its story in an admiring trance.
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75Writer-director David Michôd catches you in a vise and squeezes - hard.
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75The film is shaky as a procedural, and the level of official corruption seems more Moscow than Melbourne. Yet as a fable of power, vengeance and betrayal it exerts a quiet, increasingly wicked pull, equivalent to that of the wrinkly but ruthless grandma.
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The most troubling aspect of the story -- and its most compelling -- is the emphasis on banal, everyday life.
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75You probably won't see a better directorial debut this year than David Michôd's Animal Kingdom.
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75Animal Kingdom isn't perfect: Some performance moments are over-ripe, and there's an episode of arbitrary cruelty that's excessively creepy.
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75It's rooting against grandma that drives this violent, hardhearted film, and waiting for the pride of lions she's created to devour her that gives Animal Kingdom its animal energy.
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75Frightening stuff, and made all the more so because of how matter-of-factly by writer-director David Michôd plays it.
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All very grim and unrelenting; Michôd generates some nail-biting suspense, though it's not the sort of experience that many people are likely to enjoy.
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70Early on, writer-director David Michôd serves up "Trainspotting"-like tricks and narration that is beguiling, if rarely apropos. But the actors are something.
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50Michôd wants a Greek epic but doesn't have the material. Animal Kingdom is a work of obvious ambition, and seeing a debut filmmaker swing for the fences like this is its own kind of moviehead satisfaction.
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User score distribution:
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Positive: 21 out of 24
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Mixed: 2 out of 24
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Negative: 1 out of 24
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