Metascore
49

Mixed or average reviews - based on 14 Critics

Critic score distribution:
  1. Positive: 3 out of 14
  2. Negative: 2 out of 14
  1. Reviewed by: Ken Fox
    88
    Features more than enough thrilling wirework, slow and agonizing deaths, and blood-spattered faces to please even the most discriminating fans of the genre.
  2. 75
    As a moody drama, it falls short, but as lightweight escapism, it sets off sporadic but irresistible explosions of pure cinematic delight.
  3. A movie of such cheerful craziness and nonstop ferocity that you can't take it seriously for a second.
  4. The tone is bleak and the comic-book violence relentless, but the wirework and Yuta Morokaji's stunt choreography are impressive, culminating in a breathless showdown between the title character (Aya Ueto) and 200 foes.
  5. Unfortunately, the film itself -- though it contains some superbly staged and highly lavish action sequences -- lacks the tautness of its heroine.
  6. It's a bad idea to get too fond of any character, no matter how worthy he (or she) may appear.
  7. Reviewed by: G. Allen Johnson
    50
    It is probably Kitamura's best film.
  8. 50
    A little boring and extremely long for what it is, all that Azumi really has going for it are several eye-popping battle sequences, including the climax which is a totally delicious celebration of graphic violence, and some nice camera work.
  9. Reviewed by: Mark Olsen
    50
    An uneven effort overall that when it is working has a strange, engaging energy that is often overturned by an uncertain staidness.
  10. Reviewed by: Ronnie Scheib
    50
    Inevitable comparisons to Quentin Tarentino's femme-centered carnage extravaganza "Kill Bill" are not unwarranted insofar as both films featurefeature an abstract, self-conscious, and decidedly post-modern approach to a moribund genre.
  11. Reviewed by: James C. Taylor
    40
    Failing in its attempts at Zhang Yimou–like poetry, Azumi calls to mind a long, blood-splattered director's cut of a Power Rangers episode.
  12. The director, Ryuhei Kitamura, whose earlier films include the cult film "Versus," brings nothing new to the samurai-swordsman game other than some styling shorts for the whelps and a miniskirt for Azumi.
  13. 38
    The story is superficial at best. And the movie is too long.
  14. If you're considering the scenario via Japan's ubiquitous pedo-porn tendencies, you're too educated for this exhaustive, manga-based bloodbath, which trails after these angsty teenyboppers on a scorched-fake-earth path through hundreds of growling baddies of every genre size and type.

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