Metascore
50

Mixed or average reviews - based on 32 Critics

Critic score distribution:
  1. Positive: 12 out of 32
  2. Negative: 6 out of 32
  1. 100
    Lee's incendiary and brilliant new film.
  2. Starts out hilarious and then turns very, very grim.
  3. Nothing seriously detracts from the film's overall brilliance.
User Score
7.1

Generally favorable reviews- based on 23 Ratings

User score distribution:
  1. Positive: 8 out of 13
  2. Negative: 3 out of 13
  1. Apr 11, 2011
    2
    In this depiction of race and race relations, the white man is still in power and is only interested in exploiting black people and assumingIn this depiction of race and race relations, the white man is still in power and is only interested in exploiting black people and assuming black culture. The white TV writers and bosses are stupid, insensitive, and racists who love racist material. This is, of course, a racist presentation of white people. On the other side, you've got essentially two kinds of black people. Authentic blacks who are part of the resistance, and the sellouts. You can tell which ones are the sellouts because they wear/perform blackface and get shot to death by the authentic resistors. The whole thing is unbelievably blunt, simplistic, and thoughtless exploration of race, power, and the history of racism in America. I suspect many will presume there is some kind of enlightened message buried deep within the satire that emerges with enough searching and pressure, but there's really no excuse for the kind of 2-D typecast representations of whiteness and what Lee sees as modern day uncle toms who play along. It's a crap way of telling stories, and it's a crap way of looking at life too for that matter. Looking at people and seeing only objects is, after all, kind of what started this whole race mess in the beginning. Full Review »
  2. AlessioP.
    Jun 28, 2009
    4
    Basically, it's a mediocre film, like could be one made by college students. And I'm not talking only about the technique (the Basically, it's a mediocre film, like could be one made by college students. And I'm not talking only about the technique (the camera is always shaking, and the p.of views are questionable) or the acting (amateurish at best) but of the theme itself. Everyone is a caricature, a forced portrait of a stereotype. The end leaves you unsatisfied, because no one of the character is worth to stand up and worthy express an opinion: they are all stupid or out-of-reality regretful about racism. This is my first Lee movie, and since now i thought he was a great director since he is so famous. Until now. Full Review »
  3. Stephen
    Jun 7, 2008
    9
    It boggles my mind how a film like "You don't mess with the Zohan" can have a metacritic score higher than that of Bamboozled. How does It boggles my mind how a film like "You don't mess with the Zohan" can have a metacritic score higher than that of Bamboozled. How does that even happen? If anything, it shows the current state that we are in as a society -- where a quick fix of laughter is more "enjoyable" than a brooding dark comedy/tragedy. For all the reservations I have of Spike Lee as a director and a spokesmodel for everything that is "colored", this film was excellent in almost every way. I am fully aware that Lee fails to answer his own questions on race. Unfortunately, that is the problem with the whole notion of race. It being a social construction, there really is no "solution" for it. Using a rather postmodern approach, Lee explains this in an eloquent manner. Full Review »