Metascore
23

Generally unfavorable reviews - based on 28 Critics

Critic score distribution:
  1. Positive: 1 out of 28
  2. Negative: 19 out of 28
  1. 38
    Rarely does a movie go so thoroughly wrong in so many ways.
  2. SORRY, SALLY. I didn't like it. I really didn't like it.
  3. Reviewed by: Mike Clark
    38
    Burdened with so many poky scenes that it approaches the level of the distributor's "Drowning Mona" and "Whipped," both candidates for the year's worst.
  4. Reviewed by: Jay Carr
    38
    The tame, confused script eventually sinks the film, although Field shows skill directing actors.
  5. Not one female character escapes mockery or patronizing.
  6. 30
    Sally Field's direction is pedestrian, though she does manage to get winning performances out of Driver and Eisenberg.
  7. 25
    It's a movie with so many inconsistencies, improbabilities, unanswered questions and unfinished characters that we have to suspend not only disbelief but also intelligence.
  8. Reviewed by: Marc Caro
    25
    Spends its first three-quarters confronting us with one of the most dislikable characters in recent memory.
  9. 25
    The trouble starts with the script, and it doesn't end there.
  10. About the only plausible element in the entire movie is bratty Vanessa's loathing of "Aunt" Mona, whom she sees as a vacuous over-reacher.
  11. (Driver) is stuck in a mess of a movie that suffers from awkward writing, a plot with major disconnects in plausibility, an annoyingly screechy kid character and cheesy production values.
  12. Reviewed by: Cody Clark
    22
    Beautiful it ain't, but it is kind of cute.
  13. Reviewed by: Marrit Ingman
    20
    A tone-deaf dramedy whose need to please is a pain in the neck.
  14. 20
    Made with the slick, shorthand complacency of a TV movie, Beautiful is so overstuffed with contrivance, you can hardly breathe.
  15. Reviewed by: Emanuel Levy
    20
    There's no particular reason to see this disappointingly trivial picture on the bigscreen.
  16. Teeters from a noisy sitcom (only one step removed from "The Beverly Hillbillies") to brickbat satire until it collapses in a pool of redemptive mush.
  17. It manages to find an almost pitch-perfect accumulation of ill-matched tones, sheer grotesquerie, near-heroic absurdity and self-canceling folly.
  18. Insufferably cloying experience.
  19. 0
    Surpassing Dan Aykroyd's "Nothing but Trouble" as the most astoundingly atrocious walrus-flop of a directorial debut by a languishing actor ever contrived, Sally Field's Beautiful.

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