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100But Stone has found in Cruise the ideal actor to anchor the movie with simplicity and strength. Together they do more than show what happened to Kovic. Their fervent, consistently gripping film shows why it still urgently matters.
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100Nothing Cruise has done will prepare you for what he does in Born on the Fourth of July. His performance is so good that the movie lives through it. Stone is able to make his statement with Cruise's face and voice and doesn't need to put everything into the dialogue.
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100Stone's feisty, intensely personal style of film making is well-known. With Born on the Fourth of July we are treated to a poignant, spirited and captivating - for the broken heartedness of it all - performance by Tom Cruise. [25 Dec 1989, p.E1]
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100Oliver Stone's Born on the Fourth of July is a knockout, a huge angry howl of movie that uses a crippled Vietnam veteran's disability as metaphor for a country's paralysis. [5 Jan 1990, p.67]
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100Some will find it overly long, but with such a pivotal performance by Cruise and a veritable platoon of Hollywood elite supporting, who can begrudge a bit more screen time?
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100It is a film of enormous visceral power with, in the central role, a performance by Tom Cruise that defines everything that is best about the movie.
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100Oliver Stone again shows America to itself in a way it won't forget. His collaboration with Vietnam veteran Ron Kovic to depict Kovic's odyssey from teenage true believer to wheel-chair-bound soldier in a very different war results in a gripping, devastating and telling film about the Vietnam era.
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75The critique of masculinity is far more thoughtful and compelling than the vague ruminations about war. Nonetheless Cruise's impassioned performance as Kovic is an impressive accomplishment.
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Never the most subtle of directors Oliver Stone brings a jackhammer brutality to Born on the Fourth that the material no longer needs. [22 Dec 1989, p.C1]
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63A fresh-slant Vietnam picture in which lead Tom Cruise achieves indisputable greatness, July is otherwise a "more often than not'' achievement. But though it's as full of itself as Stone's watchably windy Talk Radio, the film's roundhouse punches propel you into remote Mike Tyson-land when they connect. [20 Dec 1989, p.1D]
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60Possibly because Stone empathizes so enormously with co-writer Kovic, who came back from Vietnam at the age of 21 paralyzed from the chest down, the director has lost the specificity that made "Platoon" so electrifying. In its place he uses bombast, overkill, bullying. His scenes, and their ironic juxtapositioning, explode like land mines. [20 Dec 1989, p.1]
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Stone has created a film whose overblown parts add up to far less than the epic whole he had in mind.
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60This is an impassioned movie, made with conviction and evangelical verve. It's also hysterical and overbearing and alienating.
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50for all its flaws, Born on the Fourth of July provides the final proof that Tom Cruise is the real thing-a movie star with all the natural, unforced ability to connect with an audience that the title implies. [20 Dec 1989, p.1]
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Born on the Fourth of July would be merely a hilariously inept gathering of Vietnam War movie cliches. Instead it is an unrelenting series of dramatic blows; almost every scene packs violence, sleaze, screamed rage and an ear-splitting music with headbutt force. For someone who despises the military, Mr. Stone is quite bellicose. [21 Dec 1989, p.1]
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40Worst of all, the movie's conventional showbiz finale, brimming with false uplift, implies that the traumas of other mutilated and disillusioned Vietnam veterans can easily be overcome if they write books and turn themselves into celebrities.
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