Metascore
73 out of 100

Generally favorable reviews - based on 39 Critics

Critic score distribution:
  1. Positive: 29 out of 39
  2. Negative: 1 out of 39
  1. Whether the movie will make you believe a shocking-orange stock car has a future with a lavender Carrera, it's more fun to follow than a televised freeway chase.
  2. 100
    Lasseter's inclusive, utterly distinctive sensibility makes Cars all that it can be. His embrace of the comic-dramatic friction between innovation and tradition infiltrates every aspect of the movie - the look, the characters, the story.
  3. Reviewed by: Richard Corliss
    100
    The first great movie of the summer.
  4. A work of American art as classic as it is modern. Note to tourists: Leave before the very end of the credits and you'll miss some of the best and funniest roadside sights.
  5. What's surprising about this supremely engaging film is the source of its curb appeal: It has heart.
  6. Reviewed by: Michael Agger
    90
    Who's this movie for, again? No matter: It's impossible to find more joy in the dark at the moment.
  7. 88
    What Cars teaches is how to blend brash comedy with technical astonishments so that each enhances the other. I can't imagine who wouldn't want to test-drive this one. Like the promos say, "It's got that new-movie smell."
  8. 88
    Cars leaves the animated competition in the dust, even if it is a tad slower and more predictable than Pixar at full throttle.
  9. Reviewed by: Ethan Alter
    88
    It's the one movie so far this summer that demands to be seen on the big screen.
  10. Reviewed by: Ethan Alter
    88
    What the film lacks in freshness, it makes up for in great characters, fun vocal performances, and a script with some genuine emotional heft.
  11. On the most basic level, Cars is an old-fashioned fable about an egotistical, talented loner who learns humility and redeems himself by helping unfortunates.
  12. 83
    There's so much to impress and delight you that the time flies by.
  13. 83
    Cars is a fine example of the formula, with pleasant chemistry, the patented Pixar cleverness, and the usual sweetly melancholy nostalgia courtesy of songwriter Randy Newman.
  14. It might not be way up there in "The Incredibles"/"Finding Nemo"/"Toy Story" stratosphere, but the charming Cars is nevertheless a thoroughly pleasant way to mark Pixar Animation Studios' 20th anniversary.
  15. 80
    Exciting though the car-racing scenes are, with their millions of fan-cars swaying fluidly around the stadium, it's the drives through the canyons and passes, and the quiet old ruin of a town (which recalls the abandoned mall in Miyazaki’s "Spirited Away"), that truly quicken the pulse.
  16. Reviewed by: David Ansen
    80
    As eye-popping as anything Pixar has done. But Cars inspires more admiration than elation. It dazzles even as it disappoints. This time around, John Lasseter and his codirector, the late Joe Ranft, seem more interested in dispensing Life Lessons than showing us a roaring good time.
  17. The Pixar people have an extreme talent for conjuring imagery that is both soaring in its majesty but also resonant -- it's a stylization but acute enough to carry emotional meaning.
  18. 75
    I wouldn't have thought that even in animation a 1951 Hudson Hornet could look simultaneously like itself and like Paul Newman, but you will witness that feat, and others, in Cars.
  19. Reviewed by: Claudia Puig
    75
    Cars is a classic American tale firing on all cylinders and fueled by organic emotion and a lively sense of adventure.
  20. Reviewed by: Ty Burr
    75
    The movie wins you over through crack comic timing and an awareness that the point of driving isn't how fast you get there but what you see on the way.
  21. 75
    Overall, if the film is not as funny as its predecessors, that's probably part and parcel of why it doesn't seem as enchanting. Emotionally, despite the character arc, Cars doesn't resonate in the same way "The Incredibles" or "Toy Story" did.
  22. By relying too much on snappy dialogue and by adhering to the philosophy that "steel should feel like steel and glass should feel like glass," the filmmakers have bridled their imaginations and created a movie about toys that are too blubbery and not rubbery enough.
  23. Reviewed by: Brian Lowry
    70
    Periodic bursts of cleverness brighten the festivities, but they're too few and far between, and the trademark humor that appeals to adults and kids often misfires.
  24. 70
    If Cars is something of a letdown, that is not because of the moral messages that it delivers but because of the heavy hand with which it cranks them out.
  25. Never really quite great, it's still a good enough diversion for the family and should please adult fans of racing.
  26. Reviewed by: Jessica Reaves
    63
    Whatever you do, don't leave before watching the snippets that run during the closing credits--the self-referential, tongue in cheek "outtakes" are quite possibly the funniest part of this movie--a visual stunner that seems to have misplaced its heart.
  27. 63
    Cars is certainly watchable, and there's always some amusing bit of business happening at the edges of the frame.
  28. Warning: Cars comes unequipped with two essential options -- charm and a good muffler.
  29. Reviewed by: Olly Richards
    60
    Judged against previous form, this is not Pixar firing on all cylinders, lacking the sophisticated comedy we've come to expect. Judged against fare from other studios, however, it's a triumph.
  30. 60
    Cars is an elaborate concoction all right. But it feels soldered together from a scrap heap of tired ideas.
  31. Reviewed by: David Edelstein
    60
    This one is dully conventional even by family-uplift standards. The details are sweated, all right: It's a triumph of perspiration over inspiration.
  32. Reviewed by: Robert Wilonsky
    60
    What ultimately redeems Cars from turning out a total lemon is its soul. Lasseter loves these animated inanimate objects as though they were kin, and it shows in every beautifully rendered frame.
  33. 60
    At 116 minutes, it's a test not of speed but endurance.
  34. And did I mention that it's long? It's long.
  35. Curiously and unexpectedly, the movie brings on a suffocating feeling of constraint. It's a consequence of seeing characters with such terribly limited mobility.
  36. It doesn't make Cars a bad picture -- the visual inventions are worth the price of admission -- but it constitutes conduct unbecoming to a maker of magic.
  37. Both in its ingratiating vibe and bland execution, Cars is nothing if not totally, disappointingly new-age Disney.
  38. 30
    If Cars is indicative of the kind of movie we can expect from Pixar post-Disney merger, well, there's always Miyazaki.
User Score

Generally favorable reviews- based on 294 Ratings

User score distribution:
  1. Positive: 89 out of 110
  2. Negative: 7 out of 110
  1. Pixar's "Cars" is a visual masterpiece with a good morale planted within the movie. However, if I am correct that this company was the creator of "Toy Story" and "WALL-E", I expect more. Full Review »
  2. Cars tries desperately to be funny, but most of the jokes tend to fall flat. Also, I'm not quite sure how talking cars would be able to build the ragtag Radiator Springs anyway. Full Review »
  3. AtticusJ.
    2
    Yikes. Something went horribly wrong here. The CG scenery is pretty, but that can't compensate for the rest: forced voice acting, eye-roll-inducing moralizing, lame jokes, a predictable story arc (gosh, do you suppose the hot-shot protagonist will make friends with the small town residents and learn some obvious Life Lessons?) and characters that all have personalities lifted straight from templates in the Big Book of Cartoon Stereotypes. Pixar's The Incredibles, by contrast, proved truly engaging to watch - all that attention to the characters' eccentricities and subliminal tics - and that screenplay was smarter than the spy-thriller/superhero genres it parodied. Where has that smartness gone? If you saw the trailer for Cars and had a negative gut reaction, trust your reaction and steer clear, despite what you know of Pixar. In aiming for the mainstream here, Pixar has sacrificed a large part of what makes its movies magical and unique, and the strange thing is that nobody much seems to have noticed the problem. As for me, I winced a lot and tried as best I could to just enjoy the visuals. Full Review »