Palm Pictures | Release Date: August 12, 2005
7.1
USER SCORE
Generally favorable reviews based on 15 Ratings
USER RATING DISTRIBUTION
Positive:
10
Mixed:
3
Negative:
2
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9
MarcK.Jul 30, 2006
Too bad this wasn't released in America until 2006, and too bad when it was released, it came and went. This is one of the best 2006 releases in America. Maggie Cheung clearly deserved the Best Actress award at Cannes for this Too bad this wasn't released in America until 2006, and too bad when it was released, it came and went. This is one of the best 2006 releases in America. Maggie Cheung clearly deserved the Best Actress award at Cannes for this performance. While she's the reason to see this movie, the plot is also well-done, and is a more positive piece than most of the films in this genre. Expand
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9
BertH.Jun 4, 2006
Maggie Cheung and Nick Nolte were both brilliant. An uplifting story of redemption and of just not giving up.
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8
ClintH.Aug 18, 2005
It isn't a masterpiece, but feautures great performances by Maggie Cheung and Nick Nolte. An interesting look at the effects drugs can have on somebody.
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9
ChadS.Apr 22, 2007
"Clean" might be a film in code about the most infamous of all rock-and-roll widows, but I hope not, since Allison Anders' "Sugar Town" had already done a fine job of eviscerating(again, in code) this woman, who nevertheless, love her "Clean" might be a film in code about the most infamous of all rock-and-roll widows, but I hope not, since Allison Anders' "Sugar Town" had already done a fine job of eviscerating(again, in code) this woman, who nevertheless, love her or hate her, arguably served the important and underrated function of muse for the troubled drug-addled musician. Emily Wang(Maggie Cheung) is also universally hated by the music industry for fueling her husband's appetite for poison, but like her real-life counterpart, she played a part in her husband's artistic triumphs by incident; by just simply being there(without Love in Kurt Cobain's life, maybe he might've simply been a Black Francis-wanna-be). The fact that Emily is Chinese makes her unpopularity complicated since the hatred she's encumbered with might be a two-fold attack(the public's distaste for Emily's heroin addiction could be a cover-up for the real issue at hand; she's Asian), which the filmmaker smartly leaves to our imagination; the only mention about Emily's ethnicity comes from her uncle. "Clean" elects to keep Emily's withdrawal from heroin largely off-screen(leave the writhing in agony to Darin Aronofsky); the film is more concerned with her redemption. A filmmaker with a heavy hand would demonstrate a recovering addict's unfitness to be a parent by staging a relapse. What this director does is brilliant; he casts doubt about Emily's ability to exercise sound parental judgment by the mode of transportation she supplies for her son. "Clean", led by Cheung's glamorous, yet somehow gritty performance, has us rooting for her every step of the way to a recovering junkie's nirvana. Expand
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