- Studio: Metro-Goldwyn-Mayer (MGM)
- Release Date: Jul 21, 2006
User Score
7.3
out of 10
Generally favorable reviews- based on 121 Ratings
User score distribution:
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Positive: 95 out of 121
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Mixed: 9 out of 121
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Negative: 17 out of 121
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AtomH.Aug 2, 20060Kevin Smith has used up whatever borrowed fuel he had.
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JakeJ.Apr 27, 20072Boring. Trite. Jokes were forced. Clerks is a classic. Clerks 2 is a waste of time.
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JillM.Jul 24, 20061Painful.
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GuyJul 28, 20064The dialog was painful at times... not for its content, but for the way it was delivered. Just bad acting, actually. It seems so rehersed, and there are no pauses between lines. It comes off as being extrememly bad acting. You just can't picture these people saying these things in an actual conversation (so quickly) without pauses to think.
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K.W.Jul 21, 20060Worse than JERSEY GIRL. Avoid!!!
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MarkB.Jul 25, 20064
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MikeV.Dec 28, 20084This movie would have been mildly funny if it weren't for the absolutely awful acting on the part of Dante and Randal. Perhaps the only reason I didn't notice how bad they both are in the first Clerks is because it was black and white and therefore more difficult to discern their expressions.
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WhitG.Dec 5, 20064
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BrandonJul 22, 20062
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LynnC.Jul 26, 20061I went to see this movie today. I was disgusted at the language in it and asked for a refund which I received. I read a few reviews but didn't realise the content was so crude.
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DavisR.Aug 29, 20060
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HollyC.Jan 16, 20072
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70A softer, flabbier and considerably higher-budgeted follow-up to Kevin Smith's 1994 indie sensation that nevertheless packs enough riotous exchanges and pungent sexual obscenities to make its 97 minutes pass by with ease.
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Clerks II can't bear the strain of its amateur-hour theatrics, no matter how big its heart or how many crocodile tears it manages to squirt. The dramatic moments become melodramatic; the bawdy moments turn icky. The fans will eat it up.
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67By this point, the rhythms of Smith's dialogue are as predictable and mannered as haikus, and like sitcoms, Clerks II is mostly appealing in its familiarity, from the rat-a-tat cussing to the cameos from Smith's repertory company to the extended riffing on "Star Wars" and geek culture.