User Score
7.3 out of 10

Generally favorable reviews- based on 121 Ratings

User score distribution:
  1. Positive: 95 out of 121
  2. Negative: 17 out of 121

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  1. AtomH.
    Aug 2, 2006
    0
    Kevin Smith has used up whatever borrowed fuel he had.
  2. JakeJ.
    Apr 27, 2007
    2
    Boring. Trite. Jokes were forced. Clerks is a classic. Clerks 2 is a waste of time.
  3. JillM.
    Jul 24, 2006
    1
    Painful.
  4. Guy
    Jul 28, 2006
    4
    The dialog was painful at times... not for its content, but for the way it was delivered. Just bad acting, actually. It seems so rehersed, and there are no pauses between lines. It comes off as being extrememly bad acting. You just can't picture these people saying these things in an actual conversation (so quickly) without pauses to think.
  5. K.W.
    Jul 21, 2006
    0
    Worse than JERSEY GIRL. Avoid!!!
  6. MarkB.
    Jul 25, 2006
    4
    Never mind that Kevin Smith's original, one-day-in-the-life-of-two-disgruntled-convenience-store-drones farce Clerks was about as grimy-looking a low budget film as anyone's ever made, or that it's painfully obvious that he cast the same few actors or crew members to play ALL the bit parts, or even that the continuity person was taking a few too many smoke breaks (that 4-year-old girl in the movie bought the cigarettes a LOT earlier than 4 pm). What truly matters is that Smith's freshman film, a true diamond in the rough, was one of the three or four most convulsively, apoplectically hilarious comedies of the last 20 years, making the terms and expressions "milkmaid", "Chewlies" and "Happy Scrappy Hero Pup" instant comic buzzwords and "37" the funniest numeral in the Arabic counting system. 12 years later, Smith's sequel proves everything that Thomas Wolfe said about going home again to be absolutely accurate; the fact that Smith has a million times more facility with the camera and a kajillion times bigger budget does nothing to remove the disspiriting, slightly depressing aftertaste that this trip to Mooby's (the fictional fast-food joint that played a big role in Smith's Dogma) with Dante and Randal leaves behind. Even more frustrating are the 20 or so minutes of genuine entertainment value (out of 98) that Smith really DOES provide: every time Clerks II goes on without a laugh, a purpose or a point for what seems like forever, he blindsides you with a great bit like the Star Wars/ Lord of the Rings debate (guess who wins?) or Randal's outrageous, digging-himself-in-deeper attempt to defend a notorious racial epithet that at least for a few minutes brings back delightful memories of the good old black-and-white days at the Quik Stop. (And, it must be admitted, Smith's right about the big bachelor party climax featuring a guest entertainer who's really committed to, shall we say, making our relationship with our four-legged friends a bit more, uh, personal: you really CAN'T take your eyes off the screen, no matter how much you want to!) Rosario Dawson, as the Mooby's manager and Dante's friend-and-possibly-more, is so appealing and likable that it's no wonder she's placed front and center in the movie ad; unfortunately, Brian O'Halloran and a rather jowly Jeff Anderson as Dante and Randal just aren't the comic geniuses they once were--their rather desperate attempts to push the jokes brought back too many regrettable memories of Laurel and Hardy in their declining days. The worst aspect of Clerks II (even beyond the surprising lack of interaction with customers, the lame cameos by a couple of Smith alumni who made it big, or the Obligatory Music Videos of two, count 'em, two Number One hits--from 1970!!) is Smith's all-too-eager attempt to betray the subtle but solid point he made in the original: that whatever misfortunes that the perpetually put-upon sad sack dante suffered were his own fault for not taking charge of his own life and destiny. (His perpetual bleat, "I'm not even supposed to BE here!!" was the perfect illustration of this.) Smith inverts his original message with a patently desperate, phonily sentimental wrap-up that tries to sell us on the idea that the clerk biz was Dante's rightful place in life all along. If that's the case, that's truly sad, but not as much so as the quandary of a so-called independent filmmaker who, after trying to mature a bit and unsuccessfully take his audience on the jouney with him (with the delightful, vastly underrated Jersey Girl), scurries back to giving them What He Thinks They Want (including a completely fraudulent message) faster than Jerry Bruckheimer inked the papers to make Pirates of the Caribbean 2 and 3 after the original's first opening week. Come to think of it, it's not just sad...it's pathetic. Expand
  7. MikeV.
    Dec 28, 2008
    4
    This movie would have been mildly funny if it weren't for the absolutely awful acting on the part of Dante and Randal. Perhaps the only reason I didn't notice how bad they both are in the first Clerks is because it was black and white and therefore more difficult to discern their expressions.
  8. WhitG.
    Dec 5, 2006
    4
    Kevin Smith has a way with words and the ability to create absurd yet believable situations, but even those strengths can't redeem the flatness and falsity of these characters or the fake reality that Smith has forced them to inhabit. And I must've missed the "heart" that supposedly exists at the core of Clerks 2. Maybe because it was one of those tiny pink candy hearts that tastes like chalk and refined sugar, the kind that made you sick on Valentines Day when you were 8 years old. And you have to be about 8 to buy in to any of this typical Hollywood-style pseudo-romance, which is disappointing because there's a lot of critique of conventional romantic love coming out of the characters mouths but they contradict their words with their actions, and the ending is nothing less than American Dreamy. All that being said, If you can satisfy yourself with a few humorous rants on contemporary culture and a couple of good gags that elicit mild chuckles then the movie isn't a total loss, but don't expect any substance. In fact, if you load up on a substance (preferably herbal or alcoholic) then your chances of enjoying Clerks 2 would be greatly improved. Expand
  9. Brandon
    Jul 22, 2006
    2
    If your reason for liking kevin Smith movies is Randall, and you think the dirtier a conversation is, the better it is, then this movie is for you. If you like Kevin Smith for smart dialogue with simultaneously lowbrow/highbrow jokes, and you like Kevin Smith movies for Jay, Silent Bob, Dante, or any of the other charachters who are not Randall, then this movie is NOT FOR YOU. They're all in there, and totally hilarious as always, but it is primarily a "how dirty can randall talk?!?!?" film, and you will hear him talk very dirty for a very long time. Jeff Anderson, as opposed to Jason Mewes, just isn't an inherently funny enough guy to carry a film like that. Most of his inherent humor was used up in Clerks 1. Expand
  10. LynnC.
    Jul 26, 2006
    1
    I went to see this movie today. I was disgusted at the language in it and asked for a refund which I received. I read a few reviews but didn't realise the content was so crude.
  11. DavisR.
    Aug 29, 2006
    0
    In 2002 it was clear, Kevin Smith should have stopped making movies in 1994. Four years and there was no sign of him or his tent-of-a-jersey and the film world was at peace. Until he shows up at Cannes with this piece of .... that ruined what made the original so great to everyone. Now that Smith has been booed out of France, dropped from Miramax, and closed the coffin on his Askewniverse, he can finally stop torturing us with his movies and get rich off of selling Jay & SIlent Bob merchandise to kids. Expand
  12. HollyC.
    Jan 16, 2007
    2
    Wow, what was Kevin Smith's excuse for this pile of crap? At least the first one had a sort of film-school debut-vibe going on. But Clerks II was just sad. Terrible acting, terrible story, terrible dialogue--everything sort of fell flat for me. Which made all the raunchy stuff toward the end seem even more desperate. Silent Bob & Jay are literally the only cool things in this movie--and they have maybe (maybe!) five minutes total screen time. What a disappointment. Expand
Metascore

Generally favorable reviews - based on 29 Critics

Critic score distribution:
  1. Positive: 22 out of 29
  2. Negative: 0 out of 29
  1. Reviewed by: Justin Chang
    70
    A softer, flabbier and considerably higher-budgeted follow-up to Kevin Smith's 1994 indie sensation that nevertheless packs enough riotous exchanges and pungent sexual obscenities to make its 97 minutes pass by with ease.
  2. Reviewed by: Robert Wilonsky
    40
    Clerks II can't bear the strain of its amateur-hour theatrics, no matter how big its heart or how many crocodile tears it manages to squirt. The dramatic moments become melodramatic; the bawdy moments turn icky. The fans will eat it up.
  3. 67
    By this point, the rhythms of Smith's dialogue are as predictable and mannered as haikus, and like sitcoms, Clerks II is mostly appealing in its familiarity, from the rat-a-tat cussing to the cameos from Smith's repertory company to the extended riffing on "Star Wars" and geek culture.