- Studio: Access Motion Picture Group
- Release Date: Sep 28, 2001
- Critic Score
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100A funny, frenetic, and often quite touching microcosm of the Big Apple life itself, essayed by a pitch-perfect cast and boasting authentic urban flavors.
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90Effortlessly graceful and burnished to a glow, Dinner Rush is surely as satisfying as any of the delicious-looking food served at Louis' restaurant -- and is as full of surprises as any dish Udo ever concocted.
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90Serves up its scattershot plots as if they were lined up on a menu, moving from appetizer to entree: there are more intrigues here than in the court of the Medicis.
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90A marvelously nasty revenge comedy.
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90Some of the finest ensemble acting this year.
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88It's rare to find an American movie that works so well structurally from beginning to end, including a second act that withstands the plethora of fast-moving action, and a climax that is satisfying and well earned.
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83Danny Aiello is right at home as owner Louis, a paternal Italian father to all but his own son, reigning over the throng from his corner table like a benevolent lord and maybe underworld gangster.
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80It's fitting, then, that Dinner Rush boasts Hawks-ian virtues: fiery energy, swift, character-driven chitchat and a tough, upbeat sense of how the world works.
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80The cast never skips a beat, particularly Mark Margolis as the most obnoxious dinner customer in cinema history and Summer Phoenix as his unfazed waitress.
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80Combines pulse-of-the-city drama and comedy with an elaborate revenge plot, but mostly the movie is about New Yorkers talking.
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80A nicely shaped script by Chicagoans Rick Shaughnessy and Brian Kalata makes this independent comedy drama a pleasure to watch.
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75There are enough plots here to challenge a Robert Altman, specialist in interlocking stories, but the director, Bob Giraldi, masters the complexities as if he knows the territory. He does.
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75As tension mounts through the evening, Giraldi cleverly sweeps in and out of conversations -- and brings it all together in a climax that is as hard to see coming as it is to resist.
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75A witty, well-acted, visually gorgeous ensemble drama.
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75Benefits enormously from Aiello's down-to-earth magnificence.
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70"Big Night" meets "The Sopranos" in Dinner Rush.
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67A pleasant and often surprising ensemble dramedy set almost entirely within the walls of a busy, fashionable Tribeca trattoria on a spectacularly busy Tuesday night.
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40Despite the Lear-like trappings and the talented young cast, which does its work with considerable grace, it has little momentum or punch.