Fox Searchlight Pictures | Release Date: September 18, 2013
7.6
USER SCORE
Generally favorable reviews based on 113 Ratings
USER RATING DISTRIBUTION
Positive:
91
Mixed:
16
Negative:
6
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1
EdeltraudNov 10, 2013
I must be totally out of sync with what this film is purported to be...although I am almost the exact demographic target for it. I look for movies about people and where nothing explodes.
How was this a rom-com? Where were the laughs? And I
I must be totally out of sync with what this film is purported to be...although I am almost the exact demographic target for it. I look for movies about people and where nothing explodes.
How was this a rom-com? Where were the laughs? And I do not see any thing like tears either...although I admit I nodded off at least 3 times! This was NOT as "Good as it Gets."
What was this movie about and why should I care? Basically, to me, it's a movie about nothing. You can not compare it to Woody Allen, where at least there are loads of subplots and underplots. Even when his efforts fail there is a lot to look at even if it's just great scenery. There's not even scenery in this dud..
I do think the interest in this movie has more to do with wanting to see Gandolphini's last work and that is coloring the responses. There was nothing that stood out in Enough Said. I don't even know what that title means. There was no interesting direction, no production values, no quirkiness or revelations. It was almost horrifically blah.
Finally, I am done with critics who duped me into see the tedious Amour with their rave reviews.
I am just so grateful I didn't drag my husband to this promising it would be a lot better than he thought. What a bore.
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3
avantgardnerNov 14, 2013
This was barely even a movie! Turning a camera on a random couple for 90 minutes would produce more interesting banter. Marginal screenwriting at best.
0 of 0 users found this helpful00
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1
msmDec 22, 2013
The sole redeeming character is that of Gandolfini. The women hate men. JL Dreyfuss engages in emotional betrayal and abuse of a person who only is nice to her. Movie has meaningless subplots, like how to fire a housekeeper that borders onThe sole redeeming character is that of Gandolfini. The women hate men. JL Dreyfuss engages in emotional betrayal and abuse of a person who only is nice to her. Movie has meaningless subplots, like how to fire a housekeeper that borders on racist; who cares about the man who lives on a walk up why is it triumphant to have JLD ask for the man's help finally (a man portrayed as thoughtless, even though he is obviously paying for a service). The only nice relationship is between JLD and her daughter's friend. Expand
0 of 0 users found this helpful00
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