- Studio: Fox 2000 Pictures
- Release Date: Dec 15, 2006
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75Eragon may not be a big Oscar contender, but in a movie season filled with blood diamonds, fascist soldiers and Idi Amin, it provides a much-needed afternoon of PG-rated family-friendly adventure.
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63Eragon is a bit cheesy, but I rather liked it. It's sincere cheese... The special effects -- which include glowing-eyed heroes and villains, and flights over the mythical land of Alagaesia depicted in "dragon vision" -- are refreshing in their slightly out-of-date air.
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63I wish Eragon's cinematography were crisper, the music less Wagnerian, and the acting more consistent. But this movie isn't for me. It's for my 10-year-old, for whom the subtleties of narrative, photography and acting mean nothing.
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63This likable adventure is basically "Lassie" with scales and should appeal to the books' large audience of adolescent boys.
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63It's a pleasant enough fantastical adventure, but it does feel naggingly derivative.
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58The holiday movie season's only epic fantasy adventure, certainly gets no points for originality. It's such a clone of "The Lord of the Rings," it probably could lose a plagiarism suit. There's also a heavy dash of "Harry Potter." All bases are covered.
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50There is little complexity in the social, cultural or political shape of this world. So this film, directed by visual effects master Stefen Fangmeier and written by Peter Buchman in a straightforward manner, cannot escape the rote nature of such a fantasy.
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50It's not only the mythical, mind-reading creature at the story's center that prevents the film from taking flight. A worn-out plot and a novice actor also contribute to the disappointment.
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50The mess that's been made with all this money is maddening. This isn't economical moviemaking. It's a deluxe trailer for "Eragon 2."
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50You're most likely find that Eragon is less a gem and more cubic zirconia -- nice to look at but not as preeeecioussss as its recent fantasy bretheren.
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50An exercise in competence guaranteed neither to offend the initiated nor to charm anyone else.
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50The star of this fantasy adventure for young audiences is a charmer from the moment she is hatched (from a huge blue egg that starts to rock like a Mexican jumping bean). Her name is Saphira, she speaks with the voice of Rachel Weisz, and it doesn't matter that she's too young to breathe fire -- at first -- or that she waddles a bit on the ground, because she lives and breathes the joy of flight, which is exactly what was missing from most of Harry Potter's solos on a broom.
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Though the movie, which was adapted from a book written by Christopher Paolini when he was a teenager, aims high by ripping off the classics (even down to Eragon’s murdered uncle), what it most recalls are the cheesy lost sword-and-sorcery epics from the '80s, awful movies in the vein of "Yor: The Hunter From the Future" and "The Blade Master."
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42Director Stefen Fangmeier, a well-regarded special-effects man and second-unit director ("Master and Commander," "Galaxy Quest") does a superb job visualizing the CGI dragon. But Fangmeier is working with a script without a single memorable line and far too many characters and creatures with silly names.
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42A sword-and-sorcery saga that desperately wants to be another "Lord of the Rings," Eragon succeeds in being only the palest of imitations.
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42If Eragon proves anything, it's that not all dragons produce magic.
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Eragon is likely to center on its place among the likes of "Dragonheart," "Reign of Fire" and the rest of the mediocre dragon flicks.
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40If some of the characters won't be returning for the sequel, no matter. In all likelihood, neither will the audience.
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40Appropriating all the external trappings of big-budget fantasy but none of the requisite soul, this leaden epic never soars like the CG-rendered fire-breather at the core of its derivative mythology.
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40Though I don't think giving it a cuddly human personality and the vocals of Rachel Weisz helps much, the thing itself, part dog, part fish, part weasel, part dinosaur, is a terrific illusion, and the technical team manages to really sell the idea of flight. Too bad the acting is so lame, the story so derivative and the thing so long.
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40With the "Lord of the Rings" trilogy completed and the next "Chronicles of Narnia" movie two years away, fantasy aficionados needing a Yuletide fix may have to settle for this dull sword-and-sorcery epic.
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38Turns out to be as heavy and earthbound as an injured dragon.
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38When the studio tells us that parental guidance is suggested, does it occur to them that they should have taken their own advice?
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38It's hard to imagine anyone having the patience to sit through this movie except perhaps a handful of 11-year old boys seeking vicarious wish fulfillment.
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38The only interesting character is the dragon, who grows from an adorably dependent baby to a protective, intelligent adult voiced by Rachel Weisz.
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30In a time of darkness, under the evil reign of John Malkovich -- who sits upon a throne in a different sound stage from the rest of the cast -- a hero shall rise. But lo, there will be little rejoicing, for this dragon rider (newcomer Edward Speleers) is but a nancy boy, about as imposing as Lance Bass, and somehow in possession of the only soap and clean clothes in all the land.
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20Technically competent, but essentially a fantasy movie that mistakes industrial light for magic. As dragon movies go, Dragonslayer, Reign Of Fire and even Dragonheart can rest easy.
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20Dear George Lucas: What gives with this Eragon jazz? I mean, gee whiz, did you seriously think that we wouldn't recognize you, the Great Man, as the guiding, um, FORCE behind this dull retelling of "Star Wars"?
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10Eragon is laughably bad, mind-bogglingly derivative, and easily one of the worst movies of the year.