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67In its low grade way, this blithely brutal cops and drugs thriller is an efficient hot wire entertainment.
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60Silver, manages the deft balance of making Seagal seem both genuinely courageous and charmingly blockheaded.
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50Its pile-driving succession of set pieces comes at you with numbingly relentless efficiency, presumably in the hope that you won't notice or care how dumb it all is.
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50In Seagal's movies, the interesting stuff never derives from what happens, but rather from how it happens. Exit Wounds is certainly one of his best efforts, although the distinction is a dubious one at best.
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40It's a pastiche of pulpy elements culled from all the "Dirty Harry" movies you can think of.
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38This movie, cynically and patronizingly aimed at Seagal's predominantly "urban" audience, is sad, tedious proof that even violent exploitation isn't what it used to be.
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30The movie is more or less competent for being what it is. Of course, I could say the same of most brick walls -- but I'd hardly recommend that you pay eight bucks to sit in front of one for two hours.
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30The small reward is the cool, confident presence of DMX, who shows signs of being a great leading man. But only in a much smarter, more original movie.
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20Viewers who sit through Exit Wounds should at least do themselves the favor of staying for the end credits, which feature some truly funny off-color banter between Anderson and Arnold on the latter's ostensible talkshow.
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User score distribution:
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Positive: 4 out of 4
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Mixed: 0 out of 4
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Negative: 0 out of 4
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HayesH.10Seagal delivers the goods again.
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JeffM.10