- Studio: Picture This! Entertainment
- Release Date: Mar 18, 2005
- Critic Score
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100A stunning drama from that remote former Soviet republic.
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80The brutality of the fights and Schizo's growing ability to outfox his enemies make for a taut and exciting little picture.
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80Schizo is in its way a taut and exciting thriller.
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75With a cast of mostly non-actors, the film seems rough-hewn, like something you'd find rusted along a road. But it's actually a sophisticated blend of crime thriller, coming-of-age story and social realism.
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75Schizo offers not just the proverbial window into village life in Kazakhstan, but a panoramic view.
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75True to its title, Schizo is both gripped by the past and pulled toward an unknown future.
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75Working from a script cowritten with accomplished Siberian filmmaker Sergey Bodrov, the director creates a taut picture of a place, and a liberating moment of choice.
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70It's a gripping, understated thriller with a solid emotional undercurrent that builds to an unexpectedly moving denouement.
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70Schizo is an ugly name for a dark and lovely piece of work, but maybe that's the point. The world this film depicts can be a casually pitiless one, half modern and half tribal, but it can also offer compassion and beauty.
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70Ms. Omarova has a painter's eye for composition and a novelist's sense of character.
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60Schizo manages to keep it fresh.
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60If one discounts the facile and unconvincing ending, this first feature by Guka Omarova, offers a convincingly bleak view of how a 15-year-old boy could get ahead in rural Kazakhstan in the early 90s.
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50Schizo is an earnest also-ran, sadly muffled by the opaque performance of non-actor Oldzhas Nusupbayev.
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50Though it's equally concerned with sensitive young criminals in squalid communities, Schizo is no "City Of God," for better and worse.
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50A modest, formulaic day trip from Kazakhstan.
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Though it captures many sharp, stark details of life in poverty-stricken Kazakhstan, Schizo's momentum is so measured, it nearly lulls its audience to sleep.
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40A compelling screenplay, to be certain. But sadly, Omarova's direction is too leisurely to wring any emotional power.