- Studio: Buena Vista Pictures
- Release Date: Sep 23, 2005
- Critic Score
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100A tense, concise and elegantly shot film.
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88The movie's excellence comes from Foster's performance as a resourceful and brave woman; from Bean, Sarsgaard and the members of the cabin crew, all with varying degrees of doubt; from the screenplay by Peter A. Dowling and Billy Ray; and from the direction by Robert Schwentke.
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88For at least two-thirds of its length, all elements combine for a taut thriller, a Hitchcockian exercise in suspense pitting human frailty - can our minds be trusted? - against human resourcefulness.
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83Far-fetched but deliciously exciting aerial nail-biter.
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70Has a routine finish but up to that point is a more than decent thriller--or, given its taut self-containment, a more than decent Hitchcockian "exercise in suspense."
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70Until those final moments, Flightplan succeeds admirably, both as a sophisticated psychological thriller and as an example of, if not great art, then superb craftsmanship.
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63Jodie Foster's fiercely intelligent performance drives this disappointing thriller, whose taut, carefully constructed first half is sadly negated by its implausible and -- worst of all -- unengaging conclusion.
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63Doesn't have its heroine's conviction. It'd be better if it had.
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60An enthralling, enjoyable if ultimately far-fetched thriller.
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60Schwentke handles the claustrophobic environment efficiently enough, though he dallies too long before letting anxiety give way to action.
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60Becomes more satisfying than the stock thriller–star vehicle it begins and ends as.
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60This thriller is effective if you can accept that--as with some of John Dickson Carr's locked-room mysteries--the trickiness counts more than any plausibility.
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58Since Foster plays warming-up-for-a-straitjacket panic with a clenched intensity rare to behold in a Hollywood actress, I, for one, was rooting for the radical -- that is, nuthouse -- option.
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58A thriller that goes from pretty good to absolutely ludicrous in the time it takes one actor to recite about four sentences of dialogue.
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50There is something really nasty about this cold, calculating exercise in mob psychology and human venality.
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A thriller of passive virtues, the steely intensity of Jodie Foster notwithstanding. It's not too violent. It's not assaultive. Even James Horner's music plays it cool.
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50The plot is contingent on everything going perfectly in ways no one can possibly predict, right down to the most outlandish happenstance of timing and human behavior.
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50Despite excellent elements - great actress, taut plot, slick visuals - Flightplan is like airplane food. No matter how good the ingredients the air chef has to work with, the entree inevitably ends up tasting like a Xerox of a facsimile of a meal.
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50This B-list thriller portrays air crews as inept, at best, and callous and cruel at worst.
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50The latest motion picture to take an intriguing premise and flush it into the septic tank.
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50I'd like to say that Flightplan is one of those white-knuckle, edge-of-your-seat thrill rides that critics are always raving about, but instead, it's more like a transatlantic flight with no clear destination, where the cabin noise makes it impossible to sleep and the in-flight movie is a rerun.
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50By the final act, involving possibly the most far-fetched scheme since Dr. Evil aimed his death ray at Earth in "Austin Powers: The Spy Who Shagged Me," the indifference has become completely contagious.
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50Sean Bean makes a positive impression as the caring but puzzled captain of the flight, though Peter Sarsgaard flies at half-mast as a clumsy air marshal.
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50As it is, Flightplan is half of a pretty good movie. But to maintain that impression, I recommend you take a nap for the last 40 minutes.
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50But coming on the heels of "Red Eye," which is nothing if not an efficient thrill machine, Flightplan can only look conspicuously flat by comparison.
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50The movie loses some of its initial atmospheric tension as paranoid thrills give way to Rambo high jinks.
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50To watch Ms. Foster storm through a phony airplane for an entire movie has its very minor pleasures - given the numerous close-ups, you can study her lovely face at your leisure - but there is nothing here to feed the head or fray the nerves.
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50Largely undone by a script that self-destructs in the third act of an otherwise well-made thriller.
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40Flightplan should have remained grounded for repairs.
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40An exercise in edgy tedium, and even though it's only 90 minutes or so, it seems to last longer than an actual transatlantic flight. If you bring an eye mask and a few sleeping pills, you should get through it OK. A magazine or book wouldn't hurt, either. It'll be over before you know it.
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40As the movie enters its final chapter, you will come to the sad, sickening realization that the filmmakers have played you for a chump. What seemed so smart, so well crafted and finely tuned, falls apart into a flaming heap of c---, and all goodwill is dashed.
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Absurdity has a new name: Flightplan.
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25This movie demands that the viewer -- and even its own characters -- turn into thumb-sucking 3-year-olds with no need for plausibility or logic, as long as there are lots of flashing lights and whooshing noises emanating from the screen.
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User score distribution:
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Positive: 28 out of 54
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Mixed: 11 out of 54
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Negative: 15 out of 54
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