- Summary: Fort Tilden: New York City’s secluded seaside nirvana where, like flies to honey, Brooklyn’s hip millennial set flocks on sweltering weekend afternoons for unbridled summertime indulgence. Amidst the vexing stagnation of quarter-life crises, Allie (Clare McNulty) struggles to prepare for the Peace Corps, while Harper (Bridey Elliot) awaits checks from her father to fund her artistic dreams. But the two friends quickly shun responsibilities for the day when a pair of good-looking guys invites them along for a carefree Fort Tilden afternoon. As the two young women board their fixed-gear bicycles and embark on a lengthy journey to the beach, they quickly realize that, akin to their confusing, transitioning lives, they neither know where they’re going nor how they plan to get there.… Collapse
- Director: Charles Rogers
- Genre(s): Comedy
- More Details and Credits »
What really sells both the fashionable remove and generational paralysis is the pairing of Elliott and McNulty, as they effortlessly establish a passive-aggressive relationship from the get-go that thrives in a constant state of reliably unreliable codependence.
Fort Tilden, the debut feature co-written and directed by Sarah-Violet Bliss and Charles Rogers, showcases a satirical voice so dyspeptic it’s almost endearing, never letting the abrasive lead characters – or anyone else for that matter – off the hook for their self-absorbed entitlement.
While frequently very funny and sustained by a pair of boldly unlikable female protagonists, Fort Tilden adopts the glorious stupidity of its stars, and echoes their gratingly obnoxious temperaments.