Funny Ha Ha Image

Generally favorable reviews - based on 16 Critics What's this?

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Mixed or average reviews- based on 20 Ratings

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  • Summary: When you graduate college you easily sashay into the world of adulthood, start a career, and get serious, right? Wrong. Marnie has left college, but not her drinking habits and her bad taste in bad men. What's more, Marnie can't seem to find a permanent job. It would be sad if it weren't so funny. (Goodbye Cruel Releasing) Expand
Score distribution:
  1. Positive: 15 out of 16
  2. Negative: 0 out of 16
  1. 90
    Bujalski takes a sledgehammer to the carefully ordered surfaces and dramatic conventions of narrative cinema, favoring instead an unpredictability in which the crosscurrents of quotidian life collide on the screen in a series of brilliantly alive patterns.
  2. Bujalski celebrates the awkwardness of twentysomething life, allowing Dollenmayer to create a beautifully authentic portrait.
  3. Andrew Bujalski's Funny Ha Ha, an ebullient sliver of a movie, follows a group of men and women in their early 20s, and for once the un-dialogue dialogue doesn't come off as an affectation.
  4. Reviewed by: Robert Koehler
    A beautifully observant and wholly unpretentious film with roots more in Cassavetes than Sundance-style showbiz.
  5. Reviewed by: Kyle Smith
    The dialogue is so real that it makes you wince, then laugh.
  6. 70
    Like a lot of scenes in Funny Ha Ha, the commonplace somehow seems invigoratingly original.
  7. 60
    The look is rough, but Bujalski's talent is evident.

See all 16 Critic Reviews

Score distribution:
  1. Positive: 9 out of 15
  2. Mixed: 0 out of 15
  3. Negative: 6 out of 15
  1. Dec 1, 2011
    Funny Ha Ha is not just an example of charming and well-performed comedy-drama, but it's important in terms of film history, effectively beginning the mumblecore film movement. It's a micro-budget production with a home-made feel, and relies on its actors naturalistic improvisations. It's about young people drifting through life post-college, and the trials and tribulations of relationships, both romantic and friendship-based. The film's narrative is seen almost entirely from the central character's perspective - Marnie (the effortlessly brilliant Kate Dollenmayer) is uncertain of her future, so takes life as it comes, encountering a number of hurdles along the way. The story itself is simplistic, and perhaps a little too minimal to gain your undivided attention for 90 minutes, and many of the film's events are left unresolved and open to interpretation. This will be a divisive point - you'll likely find it either liberating or immensely irritating (I personally didn't mind the lack of resolution, but did found myself a little disappointed). The actors all do a great job of improvising realistic conversations (talking like real people actually do - a rarity on film) and there's the odd chuckle to be had. The film is admirable for doing something a bit different with the rom-com as a genre, but I'm not certain the rest of it is being quite as original as it clearly wants to be - the low-key aesthetics owe a lot to Dogme 95, and the improvisation and comedy derived from everyday situations sometimes makes the film feel like a Mike Leigh knockoff. Expand

See all 15 User Reviews