Metascore
77

Generally favorable reviews - based on 4 Critics What's this?

User Score
tbd

No user score yet- Be the first to review!

Your Score
0 out of 10
Rate this:
  • 10
  • 9
  • 8
  • 7
  • 6
  • 5
  • 4
  • 3
  • 2
  • 1
  • 0
  • 0
  • Summary: Grandma, A Thousand Times is a documentary that puts a feisty Beiruti grandmother at the center of brave film exercises concocted by her grandson to commemorate her many worlds before they are erased by the passage of time and her eventual death. Teta Kaabour is an 83-year old family matriarch and sharp-witted queen bee of an old Beiruti quarter. She’s been gripped as of late by the silence of her once-buzzing household where she raised children and grandchildren. Resigned to Argileh smoking and day-long coffee drinking on a now-empty balcony, Teta now invokes the deepest memories of her violinist husband who died twenty years ago. She claims a preparedness to re-unite with him. (Veritas Films) Expand
  • Director: Mahmoud Kaabour
  • Genre(s): Biography, Music, Family, Documentary
  • Rating: Not Rated
  • Runtime: 50 min
  • More Details and Credits »
Score distribution:
  1. Positive: 4 out of 4
  2. Mixed: 0 out of 4
  3. Negative: 0 out of 4
  1. Reviewed by: Jeannette Catsoulis
    Feb 11, 2012
    90
    Warmhearted and defiantly unsentimental, Grandma, a Thousand Times gains lightness from Teta's tart observations.
  2. Reviewed by: Chuck Bowen
    Feb 11, 2012
    75
    Director Mahmoud Kaabour is Fatima's grandson, and she instantly seizes on--lightly, in her way--the guilt and panic that's inspired him to make this film.
  3. Reviewed by: Ronnie Scheib
    Feb 11, 2012
    70
    A delightfully inventive valentine to his 83-year-old Lebanese grandmother, Mahmoud Kaabour's Grandma, a Thousand Times tenderly deconstructs the family-portrait genre, investing all manner of postmodernist distancing devices with emotional resonance.
  4. Reviewed by: Aaron Hillis
    Feb 11, 2012
    70
    She might not be our kin, but filmmaker Mahmoud Kaabour's anecdotal, warm-humored tribute to his grandmother - and, to a limited extent, to her cultural heritage - taps into the universal desire to hang onto loved ones in their waning years.