- Studio: Freestyle Releasing
- Release Date: Sep 9, 2005
- Critic Score
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88Then I realized the movie's point is that someone like this nerdy Harvard boy might be transformed in a fairly short time into a bloodthirsty gang fighter. The message is that violence is hard-wired into men, if only the connection is made.
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80A great film because of it's realism and the ability to show viewers a world that exists even today, but not everyone knows about.
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Director and co-writer Lexi Alexander choreographs the fight scenes with thrilling chaos, and the plot unfolds expertly if melodramatically.
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Terrific.
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75The movie, though, is nonsense. At its most credible, the story evokes fond memories of the adult drug narcs hiding among American high schoolers on ''21 Jump Street."
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70Playing something of a cipher who reinvents himself as the occasion demands, Wood is unusually well cast, but it's Hunnam, with a psychotic twinkle in his eye, who turns the movie on whenever he's onscreen.
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70Unvarnished verisimilitude, visceral impact and vividly evoked emotional and physical extremes distinguish Hooligans, the impressive debut feature by German-born helmer Lexi Alexander.
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67At its best when it goes down to the pub and captures, quite flawlessly, the grotty intoxication of these mad, bad, dangerous-to-know Hammers fans hoisting incalculable pints.
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67It's a handsome and spry movie, and it might even have managed to be a good one if there were even the least chance of believing that Wood, who can't weigh 145 pounds dripping wet, had the slightest chance of hurting anyone with one of his wee fists.
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63Wood is compelling, but Charlie Hunnam ("Nicholas Nickleby") is the one to watch.
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Viewers hoping to understand the senseless phenomenon of football hooliganism would do better to rent Alan Clarke's nearly 20-year-old "The Firm."
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50A silly melodrama.
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50It loses its superficial charm during a labored third act that gets bogged down in tired, groan-inducing subplots.
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Hunnam, whose cockney ranges from dodgy to downright Caine-ian, mutes Gary Oldman's bestial mouth-froth (in Clarke's 1988 The Firm), becoming the prettiest, most articulate, bloodthirsty thug ever to put lip to lager.
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50The world of football riots seems rife with potential for the big screen, but Green Street Hooligans only periodically rises to it.
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50Serves up a lot of bone-crushing violence in an offbeat context with considerable style and energy, but the steady diet of brutal street fighting makes it all but impossible to connect with this picture, despite whatever visceral appeal it may offer.
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50Green Street Hooligans, an accidental advertisement for Alcoholics Anonymous and the somnolent pleasures of cricket that, in the end, is mostly about the pleasures, both visceral and visual, of violence.
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50The gentle Wood isn't very convincing as a bare-knuckle brawler (which bodes ill for his forthcoming role as Iggy Pop), and the movie settles into a payback soap opera reminiscent of "West Side Story."
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42It becomes simply another banal gang film so familiar and predictable you have to wonder why so much potential is wasted on such a confused dramatic mess.
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40A surprisingly rose-tinted look at a subculture that really should have been stamped out some time ago.
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This is "Fight Club" without the irony or the metaphysical gaming.
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30Soccer needs this movie like Georgia needed "Deliverance."
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User score distribution:
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Positive: 27 out of 31
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Mixed: 0 out of 31
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Negative: 4 out of 31
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ChrisL.10
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[Anonymous]0