Mixed or average reviews - based on 8 Critics

Critic score distribution:
  1. Positive: 3 out of 8
  2. Negative: 2 out of 8

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Critic Reviews

  1. Reviewed by: Lisa Schwarzbaum
    Dec 5, 2012
    Rodrigo Santoro (Paulo on Lost, Xerxes in 300, and even better, Raúl Castro in Che) is mighty matinee-idol charismatic himself in the title role, alternating between swaggering lady-killer and ravaged victim of self-destruction.
  2. Reviewed by: Gary Goldstein
    Dec 7, 2012
    That's not to say Heleno, with its magnetic energy, sensual re-creation of 1940s and '50s Brazil and bold storytelling lacks punch; the movie is nothing if not watchable. But, by presenting more surface than depth to De Freitas' womanizing, arrogance and volatility (an implied closeness to his unseen mother is about as far as the film digs), it largely feels like an arm's length effort.
  3. Reviewed by: Jeannette Catsoulis
    Dec 7, 2012
    Though powerfully acted and dazzlingly shot (by Walter Carvalho) in heavenly black and white, Heleno is a feverish opera that, like its doomed antihero, loses vitality much too soon.
  4. Reviewed by: Kevin Jagernauth
    Dec 11, 2012
    The movie is basically The Portrait Of The Artist As A Young Mad Man, but don't be shocked if you find yourself asking just what art he was practicing in the first place.
  5. Reviewed by: Nick McCarthy
    Dec 4, 2012
    The film hints at a kicky, impressionistic style that director José Henrique Fonseca never effectively employs to actually communicate Heleno de Freitas's demons.
  6. Reviewed by: Michael Atkinson
    Dec 4, 2012
    You're stuck daydreaming about a far, far better movie.
  7. Reviewed by: Farran Smith Nehme
    Dec 7, 2012
    What you get instead of soccer is almost two hours of late-stage syphilis.
  8. Reviewed by: Sam Adams
    Dec 4, 2012
    From its flash-forward framing sequence to its glossy black and white images, the film emulates "Raging Bull" in nearly every particular, while failing to capture even a sliver of that tortured-soul sports-movie's insight or visceral power.

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