Holy Motors
User Score
7.6 out of 10

Generally favorable reviews- based on 55 Ratings

User score distribution:
  1. Positive: 48 out of 55
  2. Mixed: 1 out of 55
  3. Negative: 6 out of 55

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  1. MegWhiteley
    Oct 17, 2012
    10
    Holy Motors is one of the best movies of this year -in my opinion- is interesting, have an awesome but weird trama, the development is really great, the performances are incredible and the screenplay is excellent. Holy Motors is an awesome movie.
  2. jearbucklejr
    Jan 27, 2013
    10
    A celebration of the many bells, whistles, and motivations that go unseen in the making of film, each pseudo vignette of Holy Motors shows the many ways that films make us feel, think, and react. The sparse clips of early film images (a man doing body exercises) suggest that Leos Carax is striving for more than a simple 'this symbolizes this' mentality, and instead chooses to lament the days when a film was shot on film. The opening scene shows Carax as the viewer in a cinema filled with emotionless audience members. The people approach the cinema as a brain dead exercise in banality, and therefore are represented as brain dead corpses. It is only when Carax enters the theater that the gorgeous elements of Holy Motors are shown to us, which is to say that there are higher levels of intelligent cinema waiting to be mined and brought forth for those who are willing to view them. Let the movie zombies go watch...well, movies about zombies. Save the creative and intelligent work for those who appreciate them.… Expand
  3. Mazomba
    Mar 25, 2013
    9
    This review contains spoilers, click expand to view. Few films of late have engaged my deepest emotional inhibitions, challenged my understanding of filmmaking, and beckoned me to substitute personal meaning for visual substance. Holy Motors, the newest flick from French filmmaker Leos Carax, does this and so much more. To classify this film as "weird" would be to describe Gary Busey as "quirky." When you think that this movie has gone completely off-the-rails, taken its many characters to the deepest bounds of the imagination, Holy Motors aims only to usher you further into the madness occurring on screen. Holy Motors revolves around a day in the life of Mr. Oscar, a working Frenchman, who appears to take on the role of various characters in different scenes, each more bewildering than the next. Mr. Oscar, driven around in a limo, stops at different areas of town to portray a certain cinematic scene or emotion. After finishing his role as a given character, the man returns to the limousine. These jobs range from motion-capture performer to homeless beggar to audacious assassin. The viewer cannot believe what he or she is witnessing. If you can, you have more serious issues to worry about. What makes Holy Motors so compelling is its continuous neglect of deeper meaning. While interpretations can be drawn from the memorable images appearing in view of the camera, the film always challenges such an interpretation by creating a next scene even more ridiculous and unbound by conventional tactics. Does Leos Carax suggest deeper parables when he has a naked, flower-eating psychotic rest in the lap of Eva Mendes? To be honest, I am not positive that he does. If the true purpose of Holy Motors is that it has no purpose, then maybe it is that odd absurdity that elevates the film to greatness. Mr. Oscar's jobs start off comically-insane and quickly turn clinically-insane, yet there are unexplainable moments of triumph layered throughout the work. Two music scenes, one in which Mr. Oscar and friends begin a full-scale folk jam, and another in which Kylie Minogue herself sings as if she is part of an elaborate musical, provide the harmony that unexpectedly serves to tie the seemingly unconnected scenes of the movie together. Denis Lavant turns in the single greatest acting performance of 2012 on the big screen. Lavant did not receive a well-deserved Oscar or Golden Globe nomination, yet he turned one of the most ill-beckoning and demanding roles ever created for film, into an off-putting and stunningly-real depiction of a man with the world's most complex list of chores to finish by supper time. The aforementioned Eva Mendes and Kylie Minogue only appear in the film for one extended scene each, yet both appear viable in the mad world of Leos Carax. The entire movie can be summed up in the final scene, in which Mr. Oscar's limo sits in a garage. What follows appears so childish, so mundane, it retains and exposes the spirit of the entire film. Just when you think the film might become overtly symbolic or suggestive of a non-literal interpretation, Carax includes a scene which completely jets things back to Never-Never-Land. And that is why it is so good. Irreverent and incomprehensible, unemotional and magnanimous, Holy Motors represents one of the top cinematic achievements of the year and an absolute must-see.… Expand
  4. ChuckPalantine
    Apr 8, 2013
    9
    This review contains spoilers, click expand to view. Part of the brilliance of this film is that it could mean one thing to one person, and something entirely different to another. I’m sure that’s true of all films that have little narrative drive and are labeled “bizarre,” but this film has elements that clearly, to me, are statements intended by Carax. It’s a film about film, but also about life and how people interact within it. Apparently, this is way above my head, the film makes several cinematic references including to those of the actors in the movie as well as Carax’s own filmography. This, and the opening sequence of Carax opening a door that leads to a movie theater, is an indication that the movie is making a statement about film. Carax stands above an audience who appear like zombies, and it seems that Carax is present to change their engagement with the film. Sure enough, a toddler walks down the aisle and a very large dog does as well as the title “Holy Motors” is plastered over the zombie-like audience. The limousine that drives Oscar around is a machine (as referred to in the film) that might be symbolic of the machinery of the current film system. Inside are the director (driver who supplies Oscar with scripted material) and the actor who is literally preparing for different roles. Much as the audience is unsure of what will happen next, it seems this could be symbolizing actors often not understanding certain material as he/she is dragged from scene to scene, not in any sequential order. The man who visits Oscar in the car could of course be some type of producer. At the end, the limousine pulls into a garage called “Holy Motors.” It’s the machine that made the film that of course pulls into a garage that is the title of the film. When the driver exits, the limos are left alone as they speak to one another. It seems they’re worried that “they” won’t need “us” anymore. One limo concurs with that sentiment. It seems Carax is commenting on how soon people won’t need the machinery that creates modern films. Just as the old studio system in Hollywood no longer exists, neither will the current one. In this day of Netflix with exclusive “television” series, and the opportunity to place works on YouTube, filmmakers won’t need these same machines.

    Holy Motors is about life too. In life, people play different roles throughout a day a parent becomes a spouse, a co-worker, a neighbor, a parent, and back to a spouse. While none of us are probably playing the role of angry leprechaun (is that what that thing was?) who eats flowers as well as fingers and steals models, that act is seemingly as monstrous as those of atrocities committed on a daily basis. These characters that Lavant becomes are not meant to be literal, none of the film is, but perhaps symbolic of people we can become or represent. At one point a man in the limousine asks Oscar how he keeps going to which Oscar replies for the beauty of the act. Is this Carax asking his audience, why do we continue to live? Maybe it’s for the beauty and for the pursuit of love. One of Lavant’s characters says something to the affect of ‘death is good but it doesn’t have love.’ And of course throughout the film are beautiful shots of Paris. It seems that if one has his/her eyes open he/she must be depressed or at least cynical (as MGMT would put it), but if one has his/her eyes open they also can’t resist the beauty of cities, people, or love itself.

    8.5/10    … Expand
  5. Paganostaghetti
    Nov 26, 2012
    9
    The world we live in today is infatuated with the spotlight, with the notion of being captured on camera at all points in time an ideal for some. We have television shows dedicated to this idea of
  6. dante_finn
    Nov 17, 2012
    9
    Holy Motors is a laugh out loud comedy. One of the grand cinematic eruptions of the year. Nothing makes "sense" in the movie. A must see for comedy movie fans
  7. remain22
    Feb 24, 2013
    10
    Such a surrealistic masterpiece, Holy Motors are intended to be disgusting, violent and pathetic, so the viewer can found the harsh beauty that lies within by digging deep in this exceptional tour de force. Holy Motors is a difficult, disturbing and oddly mesmerizing film. One the past year's best movies.

Critic Reviews

All reviews »
Metascore
84 out of 100

Universal acclaim - based on 34 Critics

Critic score distribution:
  1. Positive: 30 out of 34
  2. Mixed: 4 out of 34
  3. Negative: 0 out of 34
  1. Austin Chronicle
    Reviewed by: Marjorie Baumgarten
    Dec 5, 2012
    89
    Holy Motors is as individualistic a movie as you're likely to encounter – both in terms of the filmmaker's intent and the viewer's takeaway. Warmth and humor abide within its every frame but, like Carax's dreamer at the film's outset, you must find the key within yourself that unlocks the mysteries.
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  2. St. Louis Post-Dispatch
    Reviewed by: Joe Williams
    Nov 30, 2012
    50
    There are a few beguiling moments in Holy Motors, particularly a martial-arts sequence and an erotic dance while Mr. Oscar is dressed in a motion-capture body suit, but the road between those moments is so strewn with stalled ideas that audiences who care about character and plot are liable to take the exit to a movie that makes sense.
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  3. Miami Herald
    Reviewed by: Rene Rodriguez
    Nov 21, 2012
    75
    Holy Motors is wild and unfettered and playful - the work of an artist who carries his love of cinema in his bones, and knows how to share that affection with the audience.
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