1. Film Threat

   Reviewed by: Phil Hall

   80

   There is a wealth of smaller dramatic triumphs of sly gestures, body language working at odds with spoken words, and minor goofiness (such as repeatedly blowing the rim of an opened beer bottle to create a rough whistle) which makes Home more humane (not to mention more human) than the vast majority of today's movies.

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2. The New York Times

   Reviewed by: Jeannette Catsoulis

   50

   Home accumulates a blurry, on-the-fly atmosphere spiked with moments of unexpected sweetness. The movie, though, is most successful when the dialogue mutes and our attention is focused on Jonathan Wolff's gliding camera; in those moments, the brownstone is the most interesting character of all.

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3. New York Post

   Reviewed by: V.A. Musetto

   50

   There's nothing especially new or interesting about the guests, the party or the movie. One bright note is Nicol Zanzarella as the elegant Susan, a freelance TV editor and co-host.

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4. Village Voice

   Reviewed by: Jorge Morales

   40

   Home's improvisatory aura proves more believable than "The Anniversary Party's" annoying contrivances, but it does little to hide the obvious fact that watching a rather dull party can be, well, rather dull.

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