- Critic Score
- Most active
- Publication
- Most clicked
-
10With a shamelessly cliched script by Amy Holden Jones (based on a novel by Jack Engelhard) that includes a speech plagiarized from Citizen Kane, the results are only for those who can take fare like "Valley of the Dolls" with a straight face and want to see Redford play Jay Gatsby again.
-
30Redford's Gage is so busy being exquisitely sensitive and polite he neglects to project any energy, and without it the crucial morning-after part of the movie gradually collapses under the weight of its own self-importance. [07 Apr 1993 Pg. F1]
-
38With some movies, though, it's just the opposite. Like this one. It's a whole lot easier to forget than to forgive.
-
30The movie is hardly in a position to chastise Gage for his empty soul when its own style is one of numbing, desolate slickness.
-
25There's nothing sleazier than sleaze that fails to titillate, and this drab blight on a hot cast is as sleazy as a preordained hit ever gets. [07 Apr 1993 Pg. 08.D]
-
30This is one of those high-concept pictures with a big windup and weak delivery.
-
20In Adrian Lyne's latest monstrosity, love takes on money -- and loses. Not necessarily in the story, of course. This is a Hollywood movie. I'm talking between the lines.