- Studio: Roadside Attractions
- Release Date: Aug 22, 2008
- Critic Score
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75Although the movie is unabashedly alarming, it's also intelligent fun.
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80They deliver a clear and compelling primer on the federal budget deficit, the trade deficit, and the personal debt crisis, all of which are driving our country toward a catastrophic financial meltdown.
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88It accomplishes an amazing thing. It explains the national debt, the foreign trade deficit, the decrease in personal savings, how the prime interest rate works, and the weakness of our leaders.
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Packed with facts, figures and the testimony of policy experts, the film is no wallow in wonkiness, though, but a surprisingly sprightly tough-love lesson in fiscal responsibility.
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75It's this year's "An Inconvenient Truth."
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100If they handed out an Academy Award for Most Gripping Graphs and Charts, this film would take it.
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10One graphic that I.O.U.S.A. doesn't include is a national balance sheet of our assets and liabilities, which would illustrate that the former is more than double the latter. We're in the black, and a film this deep in the red isn't something to be scared of at all -- or taken seriously.
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88There's no quick fix for a culture "addicted to debt," as one wag puts it in the film. But watching I.O.U.S.A. is a good place to start.
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83An informative and frightening documentary.
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75Does about as good a job as any film could be expected to.
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58Perhaps, like Al Gore's lecture on global warming, the force of its argument will stir some of those who see it to further research the subject.
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75Though the filmmaking is playful at times, the film is essentially 90 percent message, 10 percent movie.
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75George W. Bush is hammered for doubling the debt load with his high-spending, low-taxing ways.
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80This smartly assembled wake-up call concerning the nation's lousy spending habits proves to be as unexpectedly spirited as it is dispiriting.
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70Equal parts enlightening and alarming.
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80Highly informative documentary reps a heady mix of charts, graphs and talking heads... superb packaging and timely subject matter.
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Both a handy election primer and a bowel-rattling cry of fiscal doom.
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50There is a difference between the importance of a film's subject and the quality of a film's execution. And the execution is lacking. The film just isn't, well, very interesting.