- Studio: Twentieth Century Fox Film Corporation
- Release Date: Dec 19, 2001
- Critic Score
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70Joe Somebody sends audiences home happy but also with an awareness that happy endings have to be earned in real life as on the screen.
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63A lot of this goes down surprisingly well, even if Panettiere, through no fault of her own, is saddled with phony precocious dialogue that makes her sound like an ancient sage.
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63The cop-out is mitigated by Allen's ability to impart a comfortable, lived-in quality to his roles, this one included.
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63For all the story's bland familiarity, it has winning moments. Allen's no actor, but he projects a likeable personality.
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60An entertaining diversion and if you want a light film to just sit back and relax to, then this might just be your movie.
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60Pretty formulaic stuff: bland self-empowerment tinged with warm fuzzies in all the right places. But what makes this "Somebody" something is Pasquin's deft touch and understanding with the material.
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60It's not great; it's also not idiotic.
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50The best scenes in the movie belong to James Belushi.
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An odd picture, a rumination on depression and self-discovery that's couched as an office comedy.
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50This is harmless fun for the holiday season, but Tim Allen doesn't give movie the punch it needs.
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50It turns out that Joe ends up liking the old Joe better too. Who just so happens to be the kind of average-Joe character that continues to make Allen such a tidy, non-Joe bundle.
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50It's routine, TV sitcom fodder, but the supporting cast is better than average.
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40The picture is nearly stolen, however, by co-star Greg Germann (of TV's Ally McBeal) in the role of Joe's company's resident corporate weasel. Germann's squinty-eyed insincerity is truly a marvel to behold, and it's an astringent corrective to the film's rather too frequent feel-good passages.
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40Continually squanders its opportunities for hilarity.
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40It isn't until Joe starts getting confident and cocky that Allen starts to feel a little more natural in the role, and by then the movie's plot has all but evaporated into a series of wispy gags that barely register.
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38It's a simple, wholesome parable, crashingly obvious, and we sit patiently while the characters and the screenplay slowly arrive at the inevitable conclusion. It needs to take some chances and surprise us.
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38If "American Beauty" were a bland comedy, it would be Joe Somebody.
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38An unimaginative schoolyard-bully comedy.
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38The demands of formula eventually stifle anything that even looks like inspiration or honesty.
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30It all misses the mark emotionally, hindered by one-dimensional characters and telegraphed developments.
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20Wasn't worth Allen's time and isn't worth yours.
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