- Studio: Sony Pictures Classics
- Release Date: Aug 3, 2005
- Critic Score
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100This low-key drama is a miracle of mood, atmosphere, and sensitivity.
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100Junebug is a great film because it is a true film. It humbles other films that claim to be about family secrets and eccentricities. It understands that families are complicated and their problems are not solved during a short visit, just in time for the film to end. Families and their problems go on and on, and they aren't solved, they're dealt with.
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100One happy surprise after another, even when the content is bittersweet or sad.
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100Amy Adams in a performance as deep as it is delightful, is the film's heart and also its flaky, wonderstruck soul.
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100Ensemble casts like this are not easy to come by. Adams is something more than that -- a brilliant young comedian bursting into bloom.
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100The screenwriter Angus MacLachlan and the director Phil Morrison and an astonishingly perfect cast have quietly made a daring picture.
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90A deceptively simple, deeply resonant story about the inherent loneliness of family, the odds against assimilation and the enormous distances that can divide two people.
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90It's hugely entertaining, it's spectacularly acted, and it pricks you in all kinds of places. Maybe the best thing is to see it and let it bug you, too.
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90Manages to be one of the genuinely fresh discoveries of the summer, a little gem that deserves to become a big sleeper hit.
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89The sum is something deeply profound: about awkwardness, culture clash, failed connections, and – ultimately – the strength that comes from surviving a trial by fire.
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88Happily, Morrison's actors grasp his intentions perfectly, shading their roles so well that we never quite get a handle on anyone. Each player is outstanding, but the highest praise must go to Weston.
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88Brilliantly detailed, richly painted portrait.
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88Junebug has the feel of a good short story or novella.
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88That rare kind of movie that contrasts "cultured" big-city characters with devout, "simple" folk without being condescending or judgmental of either camp.
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88A movie that gets wonderfully under your skin.
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83Wonderful performances and the director's continual inventiveness make Junebug a particularly promising first feature.
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83The performances by Davidtz, Weston, Wilson and especially Adams stand out as Morrison paints his character study with raw, true bits continually tested by the absurdities of pain life dishes up.
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Not merely a sitcom of cultural clash. Screenwriter Angus Maclachlan has delicately etched a compelling portrait of a way of life whose decencies and simplicities are often dismissed as being "unsophisticated."
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80The scenario may be overly familiar, but the low-key approach and engaging performances make this an unexpected delight.
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80It's an exhilaratingly decentered tale, with the perspective shifting around so there's no character with whom we totally identify throughout.
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80Junebug envelops us in texture of a world the movies rarely visit.
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80With its wise understanding of the magnetic pull (and invisible polarities) of family, Junebug is an auspicious debut for Morrison.
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80Written by Angus MacLachlan, this indie drama explores the lingering tension between north and south with vinegar and precision.
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If there's any justice at all at next year's Academy Awards, we have our first can't-miss nominee for best supporting actress: Amy Adams.
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75There is sadness and humor here, but all understated.
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70Combining the tragic and the comic, this drama is amateurish in places, but it's a triumph of atmosphere (the makers are both North Carolinians) and the acting is first-rate.
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63Sometimes one performance makes a film worthwhile, and Junebug has one: an astonishing, moving portrayal of down-home innocence and optimism by Amy Adams.
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63Too slight to bear up under the weight of the final melodrama, and the film ends too abruptly, as if MacLachlan just ran out of things to write. Still, this visit to the old homestead is worthwhile, if only to meet its unflappable, charismatic women.
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63Sensitive and sincere and has a talented ensemble cast.
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60Morrison brings an amazingly sure hand to MacLachlan's prickly screenplay.
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60The drama loses shape before it really develops, but the sense of place--all wood paneling and animal knick-knacks--and the memorable performances keep it worth watching.
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60Has a washed-out look that may be off-putting to auds who might otherwise enjoy the pic's uncondescending view of Southern characters and customs.
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50A textbook case of filmmakers who can't make up their minds about their characters; it's a failure of nerve disguised as dramatic ambiguity.
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50An admirable film, but its charms will be visible only to the most patient filmgoers.
User score distribution:
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Positive: 31 out of 41
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Mixed: 5 out of 41
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Negative: 5 out of 41
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RonaldM.10
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