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38Earle fans might see this film as a satisfying portrayal of a man they know and love, but those unfamiliar with the man and his music will likely leave the theater without much more interest in him than when the movie began.
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30Ask New York-based filmmaker Amos Poe, who badly botches this profile of the artist with a sloppy structure, careless editing and amateurish optical effects that detract from what's actually good about the film: Earle's music.