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80Given that this holiday film season has come up more than a little short on love and laughter, one can easily forgive Kate & Leopold the slightly excessive lengths and complications to which it goes in search of those rare commodities.
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75Meg Ryan does this sort of thing about as well as it can possibly be done, and after "Sleepless in Seattle" and "You've Got Mail," here is another ingenious plot that teases us with the possibility that true love will fail, while winking that, of course, it will prevail.
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75For the first half-hour I, too, demurred. And then the irresistible force that is Hugh Jackman -- or was it his swoony Leopold? -- swept me off my seat and into the movie.
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75It's a charmer.
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70This winning confection, from a director (Heavy, Cop Land) not known for the lightness of his material or his touch, shows a fine understanding of what the screenwriters of the '40s instinctively grasped, that good screwball is about dialogue and chemistry.
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67It's no myth: All play and no work makes Jackman, as Leopold, a doll of a boyfriend.
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63Has its heart in the right place -- and in a season filled with somber or goopy Oscar contenders, it makes a perfectly decent date movie.
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60Director and co-writer James Mangold (Girl, Interrupted) is supplying comfort food for bruised romantics.
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The role of Kate, a spunky but romantically unfulfilled marketing expert, seems made for Ryan. Unfortunately, Ryan no longer seems made for it.
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50Lacking in originality.
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50Once it settles down, it becomes a star-making vehicle for Jackman, and a supremely polished example of the sort of swoony love story cherished by women who secretly hope that some day their prince will come.
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50There's no question that Meg Ryan is the queen of romantic comedies. Yet for every piece of frothy fluff that works -- there comes a couple where you just want to say, "Enough already." Kate & Leopold is one such movie.
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50A flawed time-travel love story, benefits from Meg Ryan's reliable perkiness and establishes Australia's Hugh Jackman as a potent romantic leading man. These and other pluses, however, cannot overcome the film's inability to come alive for a full hour and 20 minutes.
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50Has only the most tangential relation to reality, and therein lies its slender charm.
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50A time-travel romantic comedy whose best elements -- Meg Ryan and Hugh Jackman -- overcome distracting plot holes, loose threads and assorted contrivances to make for a mostly charming and diverting tale.
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50Not very believable, even in relation to its own premises, but if you were charmed by "Somewhere in Time" and/or Jack Finney's novel "Time and Again," this might charm you as well.
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42America's favorite romantic comedian is miscast in Kate & Leopold -- a disappointment with the warm and charming Jackman around.
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42Progressively sabotaged by poor technical quality, terrible plotting, a glaring lack of directorial skill and finesse, scenes that have no credibility and/or motivation and an astounding sloppiness to its historical detail.
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40There's nothing terribly wrong with Kate & Leopold -- it's just an awfully conventional upmarket romantic comedy.
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40The problem with Kate & Leopold is that although this is supposed to be a romantic comedy, the best scenes are the ones in which there's no Ryan.
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40Reasonably entertaining time-travel romance.
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40Mangold gets stuck in the gooey sweet spots of his tale a little more often than he breaks loose with a bracing jolt of perversity.
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38An oppressively cute Manhattan time-travel romantic comedy that’s lost in time, space and cliches.
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38Has the sex appeal of a Road Runner cartoon, one-tenth the laughs and equal plausibility.
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30It just isn't a Meg Ryan movie unless she's got male.
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20The shabby metaphysics and complete absence of internal logic are perhaps meant to charm, but only add to the eye-gouging irritant factor.
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20Is Meg Ryan going to play the goofy romantic gal forever?
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Positive: 5 out of 7
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Mixed: 1 out of 7
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Negative: 1 out of 7
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