• Studio: Tartan
  • Release Date: Apr 28, 2006
User Score
7.7 out of 10

Generally favorable reviews- based on 25 Ratings

User score distribution:
  1. Positive: 22 out of 25
  2. Mixed: 0 out of 25
  3. Negative: 3 out of 25

Review this movie

  1. Your Score
    10 out of 10
    Rate this:
    out of 10
  1. Submit
  2. Check Spelling
  3. Characters remaining: 5000 out of 5000

  1. [Anonymous]
    Oct 2, 2006
    6
    A high-brow melodrama.
    • 0 of 1 users said yes
  2. mattb.
    Nov 6, 2006
    9
    Not at all confusing, honestly. i have seen it several times and wrote a paper on it, and had no problem with it in my first viewing. if you have seen his other movies, the themes (isolation, loneliness, technology, media, revenge, futility) are all the same and still relevant. the third act is as gruesome as it is moving. stunning use of mood and color. the female lead and her situation adds a new wrinkle to the trilogy and makes it unique in comparison to the other, too. see it!! Expand
    • 0 of 0 users said yes
  3. MarcK.
    Nov 9, 2006
    8
    The first hour is extremely disjointed and hard to follow, and I almost turned it off. Thankfully, I hung in there, the movie became more linear, and it was magnificent! Very interesting, creative, and visually stylish.
    • 0 of 0 users said yes
  4. Darkever
    Jul 15, 2006
    7
    An overlook on the concept of vengeance, seen as both sin and act of justice. The contrapposition in Guan-Ju between her research for purity and her desire for vengeance is deep and well rapresented by the character, even if the second one is clearly dominating. I didn't see the first two chapters of the trilogy, but I liked this one anyway. A good movie, still not over a 7,5 vote.
    • 0 of 0 users said yes
  5. AaronM.
    Aug 16, 2006
    10
    Incredibly powerful and intensley emotional storytelling. Pefect in a very dark, disturbing way that all drama should strive to be.
    • 0 of 0 users said yes
  6. RG.
    Jan 16, 2007
    9
    A little slower than oldboy but a great finish to his triliogy. movie takes its time to gather its forces and then get in its flow. didnt like the flashback style and first but then expecting it made it very stylistic tack on the themes of a modern man and this movie hits all the right emotional highs. in the end i thought the style represents shards of humanity in a disjointed way. some very impressive scenes with great music that stick to you after the movie. Expand
    • 0 of 0 users said yes
  7. SteveK.
    Apr 11, 2007
    7
    The movie drags its feet with an inevitable, merciless, and drawn out revenge. Much more complex in its exploration of revenge and its consequences than Oldboy, but a much less interesting plot. Geum-jah's brilliant plot for revenge is a Count of Monte Cristo wanna-be that feels hollow, underdeveloped, and under-explained. Less shock, less plot, but more emotionally moving than Oldboy. Its an exhausting and disturbing movie, that's worth a look, but Park could have paced this movie a lot better and kept it from sputtering to its clumsy, unresolved end. Expand
    • 0 of 0 users said yes
  8. ChrisJ.
    Oct 11, 2006
    2
    An extremely confusing and disjointed film. Twenty minutes into it I was looking at the time. Park should have steered clear of doing a flashback style movie. He flounders.
    • 0 of 1 users said yes
  9. Ben
    May 12, 2006
    10
    Seriously now, there's nothing quite like Park Chan-wook's masterful revenge trilogy. Holding this film up to Sympathy for Mr. Vengence and Oldboy is inevitable... but this film stands on its own two feet way above any film that has been released so far this year. More comedic and equally just as tragic as his two past revenge films, Mr. Chan-wook has created a wonderfully visual and dramatic piece of art that I believe will be honored for years to come. BRAVO! magnificent theater. Expand
    • 0 of 0 users said yes
Metascore

Generally favorable reviews - based on 23 Critics

Critic score distribution:
  1. Positive: 21 out of 23
  2. Negative: 0 out of 23
  1. Reviewed by: Michael Ferraro
    80
    A brutal mystery that's more beautifully poetic than the previous entries but still just as captivating. From opening to closing credits, every image is photographed as if it were a painting; even those involving ferocious violence are wonderful to look at.
  2. Mixes comedy and melodrama to a typically baroque degree. Like his "Oldboy" and "Sympathy for Mr. Vengeance," the film displays an audacious visual and narrative style, often sacrificing credibility and coherence along the way. But there is no denying its originality.
  3. Reviewed by: Derek Elley
    70
    A wildly inventive, highly cinematic director's showcase that looks likely, at least in the West, to enthuse fans of Asian -- especially Korean -- genre movies more than general auds.