- Studio: Paramount Vantage
- Release Date: Oct 28, 2011
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100The actors keep their clothes on, but everything else is naked in Like Crazy, a romantic drama that makes other romantic films look obvious and calculated in comparison.
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100A semi-improvised, microbudget marvel with a range of feeling that shames most big-budget star-driven movies.
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100Doremus' elegant filmmaking is key to the appeal of the film, but it would never work as superbly without the wonderfully natural, believable performances and powerful chemistry of the lead actors.
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91Like Crazy tells the truth, simply: Love is thrilling. And - just because of the way life happens - sometimes love hurts.
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Oct 22, 201190An exquisite, beautifully acted gem of a film, one that should serve as a prelude to bigger things for stars Felicity Jones and Anton Yelchin, as well as director Drake Doremus.
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88A beautifully realized drama that gets to the essence of what it's like to be young, confused and in love.
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88Jones is a marvel. Sundance couldn't get enough of her. You won't, either. Her performance grabs hold and won't let go.
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83There's plenty of freshness and skill here, both in front of the camera and behind it.
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83In Sundance terms, Like Crazy qualifies as this year's "Blue Valentine," but it's more observational about the details of a doomed relationship than relentlessly bleak like the aforementioned Derek Cianfrance movie.
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Jan 30, 201280Felicity Jones shines in Drake Doremus' deceptively simple romance, a refreshing take on an age-old dilemma.
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80This indie drama starts off as a sexy little date movie, but once the lovers have been separated it grows steadily more complicated and mature.
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80Like Crazy is a cinematic love potion and you leave it feeling bewitched.
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80Like Crazy develops slowly, and threatens at first to be just another movie about beautiful young people in the Age of Fraught Relationships. It's much more than that, though. Without belaboring any issues, it speaks volumes about fear of commitment.
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80If you are experienced enough to understand love's fragility but still romantic enough to embrace its power, Like Crazy will put you away.
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80Like Crazy proves it's still possible to make a love story that's both genuinely sweet and bittersweet.
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75Yelchin doesn't generate the same warmth or passion that Jones does. That is partly by design, as this whole affair was her idea, after all.
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75After all, Like Crazy seems to say, haven't we all been there? Didn't it hurt? And wasn't it grand?
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75It's entirely possible, maybe even inevitable, that Like Crazy will win over a good many moviegoers despite its bouts of semipreciousness. In the end, I was one of them.
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75Like Crazy is a well-made film. The scenes showing Jacob and Anna falling in love have a freshness, and I learn Doremus handed his actors an outline and together they improvised every scene. Some of the whispered endearments under the sheets are delightful.
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75Unlike most alleged Hollywood rom-coms, Like Crazy is delicate, uplifting and definitely worth investigating.
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75Yelchin and Jones are up to the challenge of suggesting much by doing little.
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70Intense people behave in intense fashion, and that's that. No guns, no bombs, no noises louder than an argument or a father who likes to drink.
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70Like Crazy has a lively syntax and could, in an ungrateful mood, be tagged as slick. But Doremus gets the tempos right.
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Oct 22, 201170Deeply felt first-love tale offers convincing performances and a fine-tuned storytelling sensibility.
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67There's no question that the actors and filmmakers have fashioned a compelling (if unformed) love story of a certain age – which is not to be confused for a love story for the ages.
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Oct 26, 201167By the film's latter half, we're left not hoping its lovers will find a way to be together, but longing for them to get over each other and move on.
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63Although Like Crazy contains some emotionally on-target scenes, the movie as a whole feels glum and artificial. The characters, especially the male lead, are so low key that they're frustrating to watch.
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63Like Crazy gets the evanescence of young passion right - the way it ultimately has to burn off, leaving us standing in an unfamiliar adult world. But it never convinces us of the fire itself.
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Oct 28, 201163It's sort of like last year's "Blue Valentine" on Prozac -- the giddy highs and the despairing lows are muted, and a well-known side effect of that antidepressant pops up, too: Palpable lust is all but nonexistent.
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60The trailer for Like Crazy is one of the best of the year, and I couldn't wait to see the movie that inspired it. Turns out, the film itself plays like one long trailer, a collection of moments and montages that hint at, but never quite achieve, a fully realized whole.
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50If you're making a movie that purports to be about real love, at the very least, you have to make the audience care whether the lovers work out their problems.
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50Keen to be both really romantic and romantically real, the movie is neither, and falls between the cracks of its twin-ambitions. The result? Call it l'amour phooey.
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50I really don't understand why anybody thinks the wispy, bittersweet tale of long-distance love in Like Crazy is any big deal. Seriously, I liked this movie better last year, when it had Drew Barrymore in it and was called "Going the Distance."
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50Largely a conventional, wan affair, despite its art-cinema flourishes.
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Oct 27, 201150Outside of Felicity Jones's work, the film, directed and co-written by Drake Doremus, usually feels like it's soullessly connecting dots, a far cry from the Before Sunrise-style substance its Yank-meets-Euro chattiness might suggest.
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50The idea is to show love in incidentals rather than big scenes, but the fragments selected do not build to any significance - this is a rote story, arbitrarily scattered into abstraction.
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30A surprising follow-up to Doremus' low-fi but equally concept-driven 2010 Sundance feature "Douchebag," Like Crazy has appealing performances, a notable tone of realism in the acting and so many borrowed mannerisms from better or more interesting films it feels like a YouTube mash-up made by a Wes Anderson junkie who's studying Sophia Coppola movies while writing a term paper on "Garden State."