SummaryLeft to fend for themselves after their SS officer father and mother, a staunch Nazi believer, are interred by the victorious Allies at the end of World War II, five German children undertake a harrowing journey to reach their grandmother in the north that exposes them to the reality and consequences of their parents' actions. [Music Box...
SummaryLeft to fend for themselves after their SS officer father and mother, a staunch Nazi believer, are interred by the victorious Allies at the end of World War II, five German children undertake a harrowing journey to reach their grandmother in the north that exposes them to the reality and consequences of their parents' actions. [Music Box...
Lore is a rare, wonderful film that works not just as surface entertainment, but has deeper historical meaning, as well as an even grander, more universal statement.
By the end of their arduous journey, Lore and her siblings are changed. But it's the kind of change that will take years, perhaps generations, to understand, to heal.
Beginning just after the death of ****, Lore is a coming of age story of a young girl who is forced into adulthood while leading her 4 younger siblings through a war torn Germany. Raised by **** propaganda, these quintessential Aryan youths do not feel the affects of WWII directly, but through their interactions with others whom the war has directly and oftentimes severely affected. After the arrest of their parents, the children embark on a fairytale like journey through the woods, where the familiar world has been replaced with one of horror and the comforts of their propagandized childhood slowly unravel to reveal a haunted wasteland.
This film sneaks up on you, just as the realization of her homeland and her parent's crimes sneak up on the protagonist. When the group meets up with a concentration camp survivor, they are at their lowest point, and the turning point of the film. The relationships are quiet and don't rely on words to conquer the heart but gestures and glances that reveal so much more then they have the right to. The visuals are stunning and unguarded and create a setting equal in beauty and truth and therefore burdensome to bear. As the characters finally begin to see things clearly, the viewers become confounded with a last minute turn of events that will leave you thinking about this film long past the credits,
This movie is brilliant but beware if you like your films wrapped up in a nice bow with good guys and bad guys carefully identified look elsewhere
For those of us who realize that life is grey and never black & white it is great story-telling
Subtle slow methodical building through-out.
Yes the young jew is never fleshed out that is a conscious decision for pete's sake he represents the faceless nameless millions of jews slaughtered in the camps.
I could go on and on about the artistic choices yes there is cut-away to nature once again a choice contrasting the children with uncaring, always going on nature it doesn't care that there has been a war that the kids may die it just is an existential presence throughout -see any of Malik's films for heaven's sake.
Anyway brilliant and moving see it think about if it does not haunt you you're a moron
This striking, slow-building drama from Cate Shortland uses fractured, impressionistic imagery as a mirror of moral dislocation as the children make their way through an unfamiliar landscape.
With a child’s perspective on war, Lore deserves comparisons with “Empire of the Sun” and “Hope and Glory,” and with a feisty female protagonist it stands virtually alone.
If nothing else, Shortland gives Rosendahl a star-making platform on par with Cornish’s in "Somersault": She’s a magnetic screen presence who subtly conveys not only the struggle and guilt inherent to her situation, but also a residue of hate that’s carried over from her parents. The actor, like her character, shoulders a heavy burden.
While a film of great craft, strongly performed by the cast across the board, and particulary by the lead, newcomer Saskia Rosendahl, Lore never lets the audience in close enough for it to be a truly embraceable picture.
Director/writer Cate Shortland has created something truly remarkable, forcing us to find within ourselves sympathy for a young ****. The story is grim and dense, but features one hell of a lead performance. Shortland combines wonderful visuals with a brutal story of survival, involving family and patriotism, and a running commentary on the state of Germany after the fall of the Third Reich.
As the German army collapses in the spring of 1945, the breakdown of a family serves as a microcosm of a country in despair in the closing days of World War II.
Lore (Saskia Rosendahl) and her four younger siblings are abandoned as their **** parents are forced to flee the Allied forces. As they travel on foot to their grandmother’s house in Hamburg, the children encounter a young Jewish refuge, Thomas, on whom they are forced to rely for both food and safe passage through Ally-occupied lands. As she is exposed to the lies of their parents, and begins to develop feelings for one whom she has been taught to hate, Lore is forced to come to terms with a belief system that is quickly unraveling.
It’s the children that have to do all the heavy lifting in the film dramatically, and they carry their weight, and then some. The film is anchored by a remarkable lead performance from Rosendahl, who comes across as a seasoned veteran, despite this being her debut performance. Her character goes from obnoxious adolescent to young adult, via a series of confronting moments where her morals and beliefs are challenged. Her vibrant youthful spirit is replaced with a burning rage with a war torn Europe as the backdrop.
A new perspective on an event often forces an audience to confront disturbing realities they may wish to avoid. Although “Lore” relates a story from the second world war, it reveals the point of view of those we do not often consider: children of a high-ranking **** official. This story may not be pleasant, but it is certainly fascinating.
Very well made film with a refreshing take on WWII. The strongest element of the film is how it is shot, there is beauty found in every frame. The story moves along at a good pace, filled with tension. Performances are good, especially from a mostly young cast, however the central character of Lore, played excellently by Saskia Lumenthal, was quite frustrating; there were moments where she needed a kick up the backside. Ultimately though, this is an impressive film.
Lore, (Saskia Rosendahl) is a teenager and the oldest of her siblings including her sister Liesel (Nele Trebs) and 3 brothers, twins Jurgen (Mika Seidel) and Gunther (Andre Frid) and still breast feeding baby Peter (Nick Leander Holaschke). It is Lore’s job, after their father, Vati, (Hans-Jochen Wagner) a **** officer, is arrested and their mother Mutti (Ursina Lardi), an admirer of ****, voluntarily goes into an internment camp, to take the children to their grandmother’s home 500 miles away crossing mountains, forests, rivers and passing through American and Russian barriers. The mother gives Lore anything she feels her daughter could trade for safety and food from the house silverware to her wedding ring knowing that she will never see her children or husband again..
As Rodgers and Hammerstein so eloquently put it in a song many years ago, “You’ve Got To Be Taught” and Lore, along with her siblings, have been taught to hate all Jews and blame them for everything. As they travel they hear stories about Americans shooting prisoners and throwing them in graves and then producing pictures saying that they are Jews who were killed by Germans along with other atrocious tales that spins the truth on its head.
Along their journey the children cross paths with Thomas (Kai Malina), a few years older than Lore, who carries papers identifying him as Jewish though he looks nothing like the man in the photograph. We know very little about Thomas nor will we find out anything except that he goes out of his way to help the 5 children and, more than once, putting his own life on the line. The screenplay by Robin Mukherjee and Cate Shortland, the latter also directing, hit a false note trying to make more out of Lore and Thomas than really makes sense. The moment that Lore lashes out at Thomas with anti-semitic barbs does ring true.
The war has just ended, **** is dead and all that Lore has been taught to believe may not be true as she takes this journey across a land that shows little destruction as they go through outlying areas and forests.This is a film that comes from a different point of view and shows how innocent children become a part of the world they knew nothing about or dealt with because adults choose to go to war..
Saskia Rosendahl does an excellent job as Lore, a child that is hard to like yet is on her way to becoming an adult in a world that may tear her apart. Kai Malina is as stoic as an actor can be but still shows in small ways how war affects all. The rest of the cast all exist in a world that at the moment hasn’t any answers but are afraid of what the answers may bring.
The direction by Cate Shortland is almost a study in nature, both the good and bad, that surrounds humans but moves a little too slowly. “Lore” holds back too much information regarding Thomas and the grandmother that the children are looking forward to for their salvation hindering the story.
This movie plods along and is very frustrating. Probably historically authentic poorly done writing and direction. This movie tries to show the dilemma between **** Germany and Jews, but can't seem to get out of its own way. I left the theater thinking I will never get this time back...