Lost in Beijing
Lost in Beijing Image
Metascore
58 out of 100

Mixed or average reviews - based on 6 Critics What's this?

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  • Summary: Set against the frenzied backdrop of Beijing, where a fast growing economy has created a new class of urban socialites and nouveau riche, Lost in Beijing features four of Asian cinema’s biggest stars - Tony Leung Ka-Fai, Elaine Jin, Fan Bingbing and Tong Da Wei - who together fumble their waway through a tragicomic ménage-a-quatre that left the Chinese censors blazing. An-kun and his wife Ping-guo have built a modest living for themselves following their move to the capital from China’s poorer northeast. An-kun works washing the windows of Beijing’s skyscrapers while Ping-guo earns a decent wage as a masseuse at the Gold Basin Foot Massage Palace, a popular parlor owned by Dong, a rich middle-aged businessman who epitomizes China’s new money-obsessed society. When Ping-guo returns to the massage parlor following a liquid lunch break with one of her coworkers, Dong finds her sprawled across a couch in his office. Exploiting her drunken state, he awkwardly forces himself on her, not realizing that An-kun, atop his perch outside the office window, is a witness to what is happening. Seeing this as a moneymaking opportunity, An-kun decides to blackmail Dong – either he pays or he gets brought up on charges for rape. But when Ping-guo learns that she’s pregnant, the stakes get even higher.
    In a brokered deal that includes An-kun, Ping-guo, Dong and Dong’s wife Wang-mei, the fate of the child will join the two couples in an emotional game of tug of war, where the sides will split over money and revenge, but where love and redemption may rise above them all. (New Yorker Films)
    … Expand

Critic Reviews

Score distribution:
  1. Positive: 3 out of 6
  2. Mixed: 3 out of 6
  3. Negative: 0 out of 6
  1. Variety
    Reviewed by: Derek Elley
    70
    Money (and maybe a little bit of love) makes the world go around in Lost in Beijing, an involving, highly accessible portrait of an emotional menage a quatre in the modern-day Chinese capital.
  2. The New York Times
    Reviewed by: A.O. Scott
    70
    In spite of its raw, explicit moments, the film is at heart a sturdy morality tale about innocence and corruption, wealth and want, sex and power.
  3. New York Daily News
    Reviewed by: Jack Mathews
    63
    Part soap opera, part sitcom and part relocated French farce.
  4. The Hollywood Reporter
    Reviewed by: Ray Bennett
    50
    The script by first-time director Li Yu and producer Fang Li introduces some degree of subtlety in the responses of the four principals, but the plot doesn't really hold up.

See all 6 Critic Reviews

User Reviews

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Score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. ChadS.
    6
    Lin Dong(Tony Leung Ka Fai) rapes Ping Guo(Bingbing Fan), but "Lost in Beijing" doesn't hold it against him. The foot massage parlour owner is given some leeway, because he's not the one who initiates the sexual encounter. Ping Guo might've been drunk, but she sobers up just in time. She reneges; he proceeds, nevertheless. All the parties involved, however, decide on downgrading Lin Dong's misadventure from rape to a one night stand. "Lost in Beijing" is dishonest for not addressing the boss' moral mishap after An Kun(Dawei Tong) and his wife's rapist reach a settlement. "Lost in Beijing" looks like an unintentional black comedy, as the rapist helps his victim throughout her pregnancy. When the baby is born, Lin Dong turns out to be a doting father. He even becomes an object of sympathy after the baby's whereabouts is in question. He's a worried and concerned father, too. Even Ping Guo herself seems unaware that she'd been sexually violated. She never tells An Kun what transpired before he saw her body in rhythm with her boss. That's because Lin Dong says she had an orgasm. She enjoyed the sex, so it wasn't rape. Because Ping Guo is silent, she seems to agree. "Lost in Beijing" has the same mentality as the Irish fathers who sent their "soiled" daughters to the Catholic-run sweat shop in Peter Mullan's "The Magdalene Sisters".… Expand

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