- Studio: Paramount Vantage
- Release Date: Nov 16, 2007
- Critic Score
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100Baumbach’s achievement stings. It also has the sureness of tone and direction of a Chekhov story.
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91Which brings us back to Kidman, who really IS sensational here.
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90Noah Baumbach has followed up his acclaimed 2005 breakthrough "The Squid and the Whale" with another wryly observed, giddily cringe-inducing, bracingly original winner.
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90A brilliantly executed film that, like many real-life family reunions, is alternately painful, funny, and moving.
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88Dissenters who see this film as a wallow in self-absorption aren't paying attention. Baumbach is acutely attuned to the droll mind games of smart people who only think they're impervious to feeling.
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88Margot is a fleet, strangely enjoyable film, animated by the acuity of Baumbach's perceptions and -- this helps a lot -- the frequent laugh-out-loud wit of his dialogue.
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83While Margot's casual cruelty and the scenes of squirmy discomfort are sometimes painful to watch, the rendering of this disastrous family reunion is seriously, savagely droll.
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83Margot has a kitchen-sink realism that's genuinely unsettling, like a John Cassavetes movie populated by the hyper-articulate. If nothing else, Baumbach deserves credit for refusing to cozy up to the audience.
User score distribution:
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Positive: 17 out of 30
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Mixed: 4 out of 30
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Negative: 9 out of 30
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5
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RayS.2All the characters in this flick need to be in therapy. No insights gleaned from their rantings. Cannot recommend this travesty.
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JohnN.5The film is well acted, but the characters are so abrasive that I can't really say I enjoyed watching it.