- Studio: Freestyle Releasing
- Release Date: Nov 25, 2009
User Score
7.7
out of 10
Generally favorable reviews- based on 19 Ratings
User score distribution:
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Positive: 17 out of 19
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Mixed: 2 out of 19
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Negative: 0 out of 19
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RichardE.Jan 4, 20109This might not be true for users, but some of the professional critics seem to have missed the irony of Welles's anti-fascist _Caesar_ being staged by a guy who gleeful acted like an autocrat. Maybe too many Americans accept the Romantic idea of the director as The Artist as Hero and allow him
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EdwardK.Dec 26, 20097A very entertaining movie, but not a great one. How I would have loved to have seen Welles's production of Caesar, however!
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AmyBDec 7, 20099Watch this movie just for Christian MacKay, who plays a demented Orson Welles that will shock you.
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WilsonS.Dec 27, 20095Too self-consciously a period piece, but pleasant enough.
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Sep 22, 20106Yeah yeah, "magic of the theater" and all that. Too much "Me" and not enough "Orson Welles". No offence to Zac Efron (look, I spelled his name right, there's no k in Zac), but.....yeah ok, a little bit of offence to Zac Efron. Not because of his acting, but because I yawned like I had two beers in me.
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Apr 1, 20118The bone-deep understanding that your life is so utterly without meaning. That simply to survive you have to reinvent yourself. Because if people canâ
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May 5, 20116Who had the larger ego, Orson Welles or Julius Caesar? I have heard about the legendary Orson Welles ego and the film â
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Aug 24, 20129
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Apr 7, 20139An enjoyable film packed full of great performances and interesting characters. Unfortunately Zac Efron, who plays the main character, is a very poor actor and he goes a long way in dragging the film down. If they had cast a better actor in his part this film would have been a lot better.
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70Christian McKay's impersonation of young Orson Welles is sensational in this enjoyable, though slight, historical fiction about a teen who spends a memorable week with the legendary wonder.
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70There are moments, especially when Welles is alternating between acting as Brutus and directing everyone else, that it’s possible to forget you’re watching an actor and really believe you’re beholding Orson Welles at work.
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80This is a movie of great spirit and considerable charm. It’s about the giddiness of promise--the awakening of young talent, after years of the Depression, to a moment when anything seems possible.