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  1. Aug 8, 2014
    5
    Like his earlier film PIETA, Kim Ki-Duk continues his rage into the Oedipal void. Mommy castrates her son and eats the organ. That's just the beginning in this over the top outrage of a film which eventually becomes an endless series of castrations and mutilations. Is it possible to make debauchery boring? Sadly, it is and MOEBIUS proves the point. One masterful touch--the film has no dialogue which in writing seems like total pretension but in execution is brilliant and totally appropriate. Expand
Metascore
66

Generally favorable reviews - based on 16 Critics

Critic score distribution:
  1. Positive: 11 out of 16
  2. Negative: 1 out of 16
  1. Reviewed by: Nicolas Rapold
    Aug 14, 2014
    60
    Mr. Kim does show an abiding concern here for the unsubtle realities of human libido and cruelty, but he’s alarmingly tone-deaf as he makes his points, and shows disregard for his female characters as he uses them up.
  2. Reviewed by: Ignatiy Vishnevetsky
    Aug 13, 2014
    50
    A viewer familiar with the filmmaker’s latter-day schtick can’t help but wonder: How can an artist be so persistent in his use of symbols, and yet never manage to develop them beyond a rudimentary metaphorical framework?
  3. Reviewed by: Mike D'Angelo
    Aug 12, 2014
    70
    Following the self-importance of recent (and inexplicably prizewinning) films like Arirang and Pieta, however, Moebius feels like a giddy, playful return to form. It’s as uproarious as genital mutilation gets.