|Criterion Collection, The | Release Date: February 22, 2002||CRITIC SCORE DISTRIBUTION|
They bring their characters to good, slightly surprising, quite satisfying places. And leave us beaming happily.
Nair's movie, far from being paste, is a string of small, exquisite gems.
Nairs stereotype-shattering movie -- like the polymorphous culture it illuminates -- borrows from Bollywood, Hollywood and cinema verite, and comes up with something exuberantly its own.
In the film's stronger moments, the artist in her definitely seems to be saying that the impulse to retreat into cultural fundamentalism carries dire risks, that much of what is old and traditional needs changing and there are some things about the detested process of globalization that are wonderfully liberating. Read full review
The beauty, vibrancy and complexity of Indian culture is on addictive display in Monsoon Wedding. If only there were more to the film.
With its colorful embroidery, Monsoon Wedding feels pleasurably grounded in a reality about which most Westerners haven't a clue. This may be their only engraved invitation.
A scruffy, thick-grained piece of work, shot in thirty days and scrawled not with luscious coloring but with the tense and inky markings of a society that is fighting to keep its reputation for togetherness, and wondering what that reputation is still worth. [18 & 25 Feb 2002. p. 199]
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