- Studio: New Yorker Films
- Release Date: Feb 11, 2005
- Critic Score
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100This superbly filmed Italian drama stands with Bellocchio's best work. Originally titled "Ora di religione."
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83It's messy and unsettled, but Bellocchio's distaste for the cynicism and mendacity is potent and sincere.
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80"A very odd thriller" is how Italian director Marco Bellocchio describes My Mother's Smile, his uncannily beautiful and deeply humanist exploration of the nightmares that resurface from a Roman atheist's Catholic childhood.
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80Though the narrative is spotty, and occasionally confounding, there is an epic warmth in the way it's rendered.
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In his best film in years, Marco Bellocchio crafts a stringently moral tale that carries a hint of horror.
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75There are many nuances to My Mother's Smile, not all of them evenly told. Yet even when the conversations sound absurd, the film never fails to captivate.
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75In the end, Bellocchio suggests in this spiritual thriller that perhaps faith is the dream from which we do not awaken.
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75An artful look at religious hypocrisy, interfamily dynamics and the way people wrestle with personal history long after the original events are over.
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75It's a bit of a mess but strong stuff nevertheless -- a mournful, often wickedly funny religious satire that suggests what Kafka might have come up with had he been raised Catholic.
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70As absurd as the situation gets--and the film occasionally launches into surreal asides that only heighten the absurdity--director and star both keep it grounded in the situation's emotions.
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70In the central role, Castellitto's powerfully focused performance manages to keep the complex drama grounded.
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70At the last, My Mother's Smile conveys that, if Bellocchio is just doggedly hanging on to a career, he is still able to make us feel nostalgia for those high Italian days.
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A thoughtful, provocative film that understandably ruffled a few feathers in its native Italy -- the portrayal of the church is far less than beatific.
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60It's a sly, subtle portrait of systematic hypocrisy.