Nobody Walks
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Metascore
51 out of 100

Mixed or average reviews - based on 18 Critics What's this?

User Score
5.0 out of 10

Mixed or average reviews- based on 4 Ratings

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  • Summary: Martine, a 23-year-old artist from New York, arrives in Los Angeles to stay in the pool house of a family living in the hip and hilly community of Silver Lake. Peter, the father, has agreed to help Martine complete sound design on her art film as a favor to his wife. Martine innocently enters the seemingly idyllic life of this open-minded family with two kids and a relaxed Southern California vibe. Like a bolt of lightning, her arrival sparks a surge of energy that awakens suppressed impulses in everyone and forces them to confront their own fears and desires. (Magnolia Pictures)… Expand

Critic Reviews

Score distribution:
  1. Positive: 5 out of 18
  2. Mixed: 11 out of 18
  3. Negative: 2 out of 18
  1. NPR
    Reviewed by: Ian Buckwalter
    Oct 18, 2012
    75
    A film in which everyone is lusting after the wrong person, and consummating those desires tends to lead to awkward - but not funny, unlike Dunham's usual projects - disasters of various scales.
  2. Time
    Reviewed by: Richard Corliss
    Oct 18, 2012
    60
    The acting ensemble is crucial. Everyone's really fine.
  3. The A.V. Club
    Reviewed by: Nathan Rabin
    Oct 17, 2012
    58
    Nobody Walks is Mumblecore 2.0: The budget is bigger, the cast is littered with recognizable faces from popular television programs, and the production values are more impressive, but the fixation with the low-key, artsy angst of rudderless twenty- and thirtysomethings remains constant.
  4. New York Post
    Reviewed by: Kyle Smith
    Oct 19, 2012
    25
    None of Dunham's humor comes across, except when someone says, "And when you speak, your words are snakes I swat at with swords," which is hilarious, but not intentionally.

See all 18 Critic Reviews

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Score distribution:
  1. Positive: 0 out of 1
  2. Mixed: 1 out of 1
  3. Negative: 0 out of 1
  1. TheDRauch
    4
    A dramatically unengaging mainstream blend of mumblecore ideas, 'Nobody Walks' features some top-notch performances from the all around cast, but fails to utilize them to fullest effect and the film winds up being rather boring, even within its running time of 82-minutes. The recurring air of sensuality is potent enough, but the entanglements that the characters get into are delivered without any real consequences for their actions. These are flat and lifeless characters that feel constructed on cliches from other, better indie character studies (I liked how one critic compared it to Lisa Cholodenko's 'The Kids Are All Right') and their troubles feel less intimate and affecting than they think they are. The cast is appealing and the look is very polished for an indie of this nature, but 'Nobody Walks' is inert at creating any genuine dramatic pull. It's strange that the script, penned by the up-and-coming Lena Dunham, has led to such mediocre results, though it's hard to pinpoint a direct source of blame.… Expand

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