User Score
5.8

Mixed or average reviews- based on 106 Ratings

User score distribution:
  1. Positive: 63 out of 106
  2. Negative: 27 out of 106

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  1. Apr 17, 2011
    9
    Incredible, extraordinarily underrated movie. Critics and moviegoers were too quick to dismiss it because it wasn't a laugh-a-minute comedy (which, admittedly, was what they were promised by the TV ads). But this film, aside from being funny, took serious chances and went very, very dark. In a good way.
    It may not be a good comedy but as a film it's good.
  2. Nov 28, 2012
    10
    I thought this movie was freakin' hilarious. Seth Rogen portrays such an amusing character here, and I found myself falling victim to the dark humor and violent comedy presented throughout this film. The dialogue in this film consists of some of the most crass and irreverant lines I've ever heard, but It's also some of the most hilarious, and the end of this movie is one of theI thought this movie was freakin' hilarious. Seth Rogen portrays such an amusing character here, and I found myself falling victim to the dark humor and violent comedy presented throughout this film. The dialogue in this film consists of some of the most crass and irreverant lines I've ever heard, but It's also some of the most hilarious, and the end of this movie is one of the strangest/goriest/funniest things I've ever seen. Expand
Metascore
54

Mixed or average reviews - based on 35 Critics

Critic score distribution:
  1. Positive: 19 out of 35
  2. Negative: 6 out of 35
  1. Reviewed by: John DeFore
    50
    Barring a Terry Zwigoff return to "Bad Santa" territory, it's hard to imagine a filmmaker embracing this dubious hero to the extent writer-director Jody Hill does.
  2. Reviewed by: Joe Leydon
    70
    Ronnie is more complex, and much scarier, than the kind of self-deluding boob auds usually encounter in comedies of this sort. With the invaluable aid of Rogen, who's never been better, Hill sustains an impressive degree of tension between seemingly contradictory elements.
  3. Observe and Report is the rare "action-comedy" (almost always a muddled hybrid) that earns its cathartic climax. The blood is real because the psychosis is real. But somehow--the magic of comedy--it's also uproarious.